Cinema colorist, Colorist in Dubai, post-production, netflix
sudip shrestha
Netflix drama released Shadow - ...
Netflix drama released Shadow - digitalcolourist - Sudip Shretha
Colorist in Dubai, nepal colorist, post-production
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Sudip Shrestha color graded the world's first ...
Sudip Shrestha color graded the world's first Arabic Soap Opera 'Al Meerath' aka Inheritance drama series
inspiration, post-production
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my second Nigerian movies - a soldier's story 2 ...
my second Nigerian movies - a soldier's story 2 goes hollywood (Lions gate Release)
colorist tips, Colourist, post-production
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how to color grade for blue or green chroma?
4k, color grading panel, color grading software, Colourist, colorist tips, equipment rental, post-production
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Cheapest 4k color grading setup for Davinci ...
Cheapest 4k color grading setup for Davinci Resolve Studio in 2021
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HOLLYWOOD MOVIE LUTS - DOWNLOAD FREE

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HOLLYWOOD MOVIE LUTS- FREE DOWNLOAD

I receive a lot of requests to share the techniques I use to achieve the various bollywood/hollywood movie looks. Every week I will post tutorials and LUTs to achieve various grading styles. You can send me a sample clips to support me.

FREE DOWNLOAD LUTS

RETURN OF XANDER CAGE LUT - FOR LOG IMAGE
RETURN OF XANDER CAGE LUT - FOR LINEAR IMAGE

 

Virtual Reality shooting in Dubai

VR PRODUCTION DUBAI

Pixel House is a full- service virtual reality production company based in Dubai. We specialize in producing end to end VR (Virtual Reality) and 360 degree stereoscopic immersive experiences using latest technology.

Pixel House GOPRO OMNI - Dubai, UAE

Pixel House GOPRO OMNI - Dubai, UAE

VR PRODUCTION SERVICES

  • CONCEPT
  • DEVELOPMENT
  • FILMING
  • EDITING
  • COMPOSITING
  • GRADING
  • 360 AUDIO
VR AUDIO MIC - PIXEL HOUSE

VR AUDIO MIC - PIXEL HOUSE

Why we use GOPRO OMNI VR over Nokia OZO?

- Pixel level Synchronization 8k Video Delivery.
- In 1440/60, the 64GB card allows you to record 3 hrs of footage.
- Protune enabled, Flat color settings and native white balance settings.
- You can easily do hand held shootings, helicopters, go-karts, speedboat, roller coasters and etc.

Please Contact : Pixelhouse for your VR production. or mail sudip@pixelhouse.ae
 

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SGO MISTIKA 8.7 - HDR, VR & 8K

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BEYOND COLOUR- SGO MISTIKA 8.7

The world’s most powerful, flexible and complete DI post-production solution. Mistika represents the cutting edge in DI finishing systems, offering the most modern, complete and flexible toolset available today for on-set, dailies, commercial, broadcast and feature film post-production environments.

SGO Mistika facility - THE LOOK - LONDON

SGO Mistika facility - THE LOOK - LONDON

Built on years of research, development and production experience, Mistika empowers facilities with new levels of creative power, performance and workflow efficiency, revolutionising what it means to deliver for a client. More than a simple grading system, Mistika is a complete online and finishing solution, sitting at the heart of the world’s most innovative facilities.

Hollywood movies graded in SGO MISTIKA

Hollywood movies graded in SGO MISTIKA

Mistika is a total post-production solution. With world class conform, online editing, VFX, colour-grading, stereoscopic 3D and delivery tools built in, Mistika stands as the creative foundation for any facility. All tools are instantly available, allowing creativity to be fully explored with speed and accuracy, guaranteeing the perfect end result for a client. And with the ability to jump seamlessly between tasks, Mistika removes the need to bounce media between functional areas within a post-facility; projects can be managed and completed within a single software package, without the need for time-consuming renders between production stages.

Mistika’s all-in-one platform blurs the divide between editorial, FX, colour and finishing, streamlining out-dated facility workflows and empowering operators with a new sense of artistic freedom.

To know more about Mistika Click HERE

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Automatic Colorizing ALGORITHMIA

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Result of using ALGORITHMIA to colorize black and white image.

Result of using ALGORITHMIA to colorize black and white image.

Yes. Its time for automatic colorizing black and white photos to color. 

Automatic Colorize by ALGORITHMIA

The research has long way to go before we see content aware colorize in photoshop, davinci or assimilate scratch, but proof of the concept is there exists. 

You can try automatic coloring your b/w images now. Click Here

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BIG UPGRADE - DAVINCI RESOLVE 12.5.1

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General Improvements

  • Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
  • When running DaVinci Resolve in window mode, the macOS dock is now visible
  • Improved latency for remote grading (Studio version)
  • Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
  • Improved behavior when creating render jobs on locations without write permissions
  • General performance and stability improvements

Edit Improvements

  • Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
  • Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
  • Added ability to import and export duration markers using EDL
  • Added the ability for clips to snap to their own markers when adjusting In and Out points
  • Improved consistency of edit functions when Timeline is in full-screen mode
  • Added support for box wipe mode for offline reference wipe
  • Added ability to extract AAF import log information as timeline markers

Color Improvements

  • Improved performance for Spatial Noise reduction in Better mode
  • Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
  • Added ability to apply grades from a reference wipe using the viewer context menu
  • Added ability to align keyframe timelines of color grades using playhead position and wiped still frame
  • Next node and previous node operations now loop around the node graph
  • The ‘displayed’ node graph now automatically updates when the current still is changed
  • Swapping nodes now also swaps the node labels
  • Rippling grades now also copies node labels, Power Window labels and node cache settings
  • Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
  • Added support for left eye and right eye grades for the timeline node graph (Studio version)
  • Added ability to convert a mono timeline into stereoscopic 3D (Studio version)
  • Added ability to convert a mono clip into stereoscopic 3D (Studio version)
  • Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
  • Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
  • Added support copying DolbyVision grades using stills and middle click (Studio version)
  • Improved 3D and Qualifier panel layout in dual screen mode
  • Improved behavior to stay in the same frame when joining two clips

Resolve FX Improvements

  • Added ResolveFX Generate Color (GPU accelerated)
  • Added ResolveFX Tilt-shift Blur
  • Added support for anamorphism in ResolveFX Lens Blur (Studio version)
  • GPU acceleration support for ResolveFX Lens Flare (Studio version)
  • Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
  • GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
  • Improved ResolveFX Scanlines and added various composite modes
  • Ability to view the ResolveFX Scanline layer without the background
  • Improved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
  • Added support for horizontal/vertical ratio in ResolveFX Glow
  • Added support for pan and tilt on ResolveFX Prism Blur
  • Improved performance for ResolveFX Light Rays
  • Improved performance for ResolveFX JPEG Damage

Media Improvements

  • Added new Import Media options to File menu and Media Pool context menu
  • Added support for stereoscopic 3D clips in Media Management (Studio version)
  • Added support for display drive names in Media Storage on Windows
  • Addressed issues with open file location from Media Pool on Linux
  • Added Source Name tag support for filename without extension
  • Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips

Codec & Format Improvements

  • Added support for ProRes decoding on Windows
  • Improved QuickTime decode and encode performance on Windows
  • Support for UHD H.264 renders on Windows
  • Improved QuickTime decoding and encoding performance on Linux
  • Added support for HEVC (H.265) decoding on Linux
  • Added support for alpha channel in DNxHR 444
  • Added support for the Sony X-OCN format
  • Added support for various AAC encode parameters on macOS
  • Added support for QuickTime AAC audio encoding on Windows
  • Added support for encoding QuickTime Photo JPEG files
  • Added support for decoding AVCHD files from the Sony NEX-FS700 camera
  • Added support for V-Gamut in RCM for improved Panasonic camera image handling
  • Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
  • Addressed decoding of last frame in some Panasonic AVCHD clips
  • Improved handling of AVCHD .MTS clips
  • Added support for RED SDK v6.2.1

DOWNLOAD FREE DAVINCI RESOLVE HERE.

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Color in Motion

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An Interactive Experience of Color Communication and Color Symbolism.

www.mariaclaudiacortes.com

Maria Claudia Cortes '03 (M.F.A., computer graphics design) has been receiving widespread praise for her RIT thesis project, an animated Web site titled Color in Motion. The project received Best of Category honors in the I.D. Magazine 2004 Student Design Review competition, it was featured by Communication Arts Magazine in the 2004 Interactive Design Annual, and also made the pages of the December 2004 issue of Proyecto Diseno, the leading design magazine in Cortes' home country, Colombia.

Cortes joined Eastman Kodak Company in 2003, working first in Rochester and now in Bogota, Colombia, for the Technical Knowledge Management Department. She is a multimedia developer and graphic designer.

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Download Davinci Resolve 12.5 lite FREE

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Davinci Resolve 12.5 FREE DOWNLOAD

LITE VERSION

Blackmagic Design's DaVinci Resolve is a high-end color correction suite replete with an elaborate control surface designed for professional colorists. It costs $30,000.
There's $1,000 software-only version that runs on Mac, Windows and Linux - Davinci Resolve Studio and Free  Davinci Resolve Lite version.

What you miss in Davinci Resolve Lite Version?

Collaborative Team Work
Database Server Option to share database with multiple Resolves.
Remote grading
Edit Sizing
Real time noise reduction
Extended HDR grading controls
Motion Effects palette with noise reduction and motion blur.
Added support for DaVinci Color Transform Language, .dctl
ResolveFX Film Grain - GPU accelerated, 
ResolveFX Lens Flare
ResolveFX Lens Blur
Real Time Timeline Power Mastering
UHD Limit

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HDR Color Grading Solutions

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HDR COLOR GRADING FACILITY IN DUBAI, UAE

HDR requires high contrast with deep blacks & bright whites, not just brighter pixels. Simply making a scene brighter isn’t the solution and can skew the creative intent of a scene. 

Different types of content (theatrical, live sports, local news, and music videos), benefit from different approaches. An old TV show (vintage color correction) does not require the same level of remastering for HDR that a new theatrical release would require. Creating content now in HDR provides greater flexibility, even if the final delivery format is not HDR. Expanding the dynamic range of content to improve the experience while preserving artistic intent is what we do best. Our services include a range of solutions for both existing libraries and new content creation from camera original RAW content.

HDR color grading services are available at Pixel House post production facilities in Dubai, UAE. Projects will be graded to the HDR specifications set forth by the UHD Alliance by colorist Sudip Shrestha.

Mail : Sudip@pixelhouse.ae for booking a schedule.

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ACES - Demystified- Andreas Brueckl

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Senior colorist Andreas Brueckl

Andreas Brueckl is founder of the Colormeup! academy and one of Europe's most respected colorists.
In the last few years he was grading about 200 TVCs a year as well as multiple tv shows, feature films and documentaries. Beside grading he was also supervising as lead colorist.
He works as a colorist on Baselight, DaVinci Resolve, Assimilate Scratch and Nucoda Filmmaster.

Andreas Brueckl is booked worldwide, color grading campaigns for e.g.: Vodafone, CocaCola, Volkswagen, Toyota, Audi, L’Oreal, Wella, Omo, HSBC, Magnum and many more.

He has published a couple of colorgrading tutorials.
Check out his tutorial-channel on vimeo

Since December 2014 he is exclusively contracted as Lead Colorist at Imagica SEA / Pinewood Studios in Malaysia.

If you are interested in a grading session, please get in contact.
Remote grading is also possible.

Contact: email

Skype: andreasbrckl
Follow me on Facebook: Fanpage
Vimeo-Channel: https://vimeo.com/colorgrading
List of his projects: www.crew-united.com

 

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Color Grading in Davinci Resolve 12.5 - Dubai

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Hollywood's most powerful color corrector!

DaVinci Resolve 12.5 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

What’s New in DaVinci Resolve 12.5

DaVinci Resolve 12.5 is a massive update with over 1,000 enhancements and 250 new features that give editors and colorists dozens of new editing and trimming tools, incredible new media management and organization functions, new retiming effects, enhanced keyframe controls, on-screen text editing, new ResolveFX plug-ins and much more! The re-designed node editor is easier and more intuitive to use, there are new HDR grading tools, vastly improved noise reduction, lens distortion correction, a completely redesigned Deliver page for outputting projects and a new Fusion Connect command for round tripping visual effects shots between DaVinci Resolve and Fusion!

The world’s most advanced color grading tools.

DaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!

Contact Us to visit our Color Grading Suite in Dubai, UAE.

 

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PRELIGHT - Free on set color grading tool from Filmlight

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FilmLight introduces Prelight, a freely licensed Mac OS X application designed to help DoPs and other professional creatives to author and review looks in pre-production and on-set.

Prelight’s simple-to-operate interface makes it a breeze to check how shots appear with looks or LUTs applied, and to import or add grading decisions that can be passed downstream. Images can be imported from almost any camera, and graded references exported in almost any format.

“What makes Prelight special is that it incorporates the full Truelight Colour Space technology you find in other FilmLight products,” said Peter Postma, Managing Director, FilmLight Americas. “So regardless of the camera, whether RAW or monitoring output, whether HDR or laptop screen, looks are applied consistently and grading decisions remain relevant even for final delivery.”

Prelight complements the FilmLight products FLIP and Daylight, which already provide full on-set and near-set grading capabilities. Many directors, working with a colourist early on or not, would just like more control over how the shot is going to look, and to be able to communicate that easily and visually to post-production.

The creative team can enhance the grade with simple but familiar tools, to create new reference stills as well as 3D LUTs or BLG (Baselight Linked Grade) files. With the render-free BLG workflow, the grades are non-destructive too: additional BLG metadata is created and attached to the stills. And the free licence for Baselight for Avid or NUKE, which makes it free to read and render BLG files, makes this workflow available to productions on any budget.

An extended licence can be purchased so that when these files arrive in the Baselight post house, or on a Daylight system for near-set dailies, the metadata is attached automatically and the BLG file becomes the basis of the grade, which can then be refined right up to the moment the deliverables are created. The additional licence also includes enhanced logging and monitoring capabilities.

As well as fitting in naturally with the BLG workflow, Prelight can fit into any post-production workflow because of the ability to export standard ASC CDL lists and third-party formatted 3D LUTs.

Integration with cameras, such as the ARRI Alexa SXT, means that Prelight can simplify the colour workflow dramatically by enabling fully automated metadata support all the way from the start of the production chain. Prelight can also interface to the majority of professional LUT boxes or monitors for real-time viewing.

“The production and post-production community is looking for ways to customise their workflows to guarantee the best scope for creativity,” Postma added. “Prelight is another exciting option to give simple but direct and reliable control. We are happy to offer the core features of Prelight, including the full grading and LUT toolkit, free, with very low cost options for connectivity and advanced metadata export.”

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The invention of color -Philip Ball

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How did art get its colour?

Today, the artist's palette is arguably taken for granted, with more than a rainbow of colours available to the painter. And yet were it not for chemistry and the inventions enabled by the evolution of industry and technology, many of the colours that we know today may not have emerged.

In this lecture, one of a series hosted by the University of Bristol exploring some of the cornerstone ideas across the sciences, writer and Bristol Physics graduate Philip Ball talks about the intersection of art, science and creativity. 

He shows how in order to truly understand the history of art, one must appreciate the origins of the artist's palette and the process followed by such greats as Van Gogh and Picasso in creating their masterpieces.

Philip Ball, Big Ideas in Science lecture, University of Bristol: The Invention of Colour – lecture on how chemistry created new colours for artists throughout the ages and what effect that had on their art.
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High Frame Rate - HFR in Cinema

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In the past few years we’ve been pushing the technology envelope pretty hard – trying to get higher frame rates, greater resolution, more dynamic range,  more bit depth, more throughput/bit rates and RAW.   

 

High frame rates - delivering a higher standard

High frame rate movies are the way of the future. This new standard for movie production creates extraordinary crisp, lifelike images that transport audiences into the action.
 

What is HFR?


Frame rates are the number of images displayed by a projector in one second. 24 frames per second (FPS) is the standard in cinema. High frame rate productions of 48 or 60 FPS will set the bar higher - and set a new standard for moviegoers.

High Frame Rate (HFR) movies record and play visuals at twice the rate or more of what's shown in today’s cinemas. Increasing the frame rate stops the blurring, flickering and stuttering visuals that are common with 24 FPS movies.

In 24 frame-per-second 3D action sequences, the fast-moving 3D images will appear to break apart, and most audience members will struggle to focus on the images. It’s this “image break up” that causes some audience members to feel ill or uncomfortable watching 3D movies.

The problem is solved with HFR 3D movies.

 

Higher frame rates will soon be the norm


Higher frame rates will improve 3D movies dramatically - creating ultrarealistic and more comfortable moviegoing experiences – and set a new industry standard.  – Recent releases of The Hobit (An Unexpected Journey, The Desolation of Smaug and The Battle of the Five Armies) as well as upcoming “Avatar’s” sequels – will use 3D HFR. Peter Jackson and James Cameron are betting on the fact that audiences will love the more immersive and detailed 3D HFR productions.

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360 degree video color grading in Dubai

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What is a 360 video?

A 360 video is created with a camera system that simultaneously records all 360 degrees of a scene. Viewers can pan and rotate a 360 video's perspective to watch it from different angles.

These videos have a “360 video” label in the lower left-hand corner and are viewable on computer, iOS devices and Android devices.

360 videos on computer

When watching a 360 video on a computer, the viewing angle is changed by dragging with the mouse.

Make sure you're using the latest version of your web browser (ex. Chrome, Firefox). 360 videos on Facebook aren't viewable on Safari or Internet Explorer.

360 videos on mobile

On iOS and Android mobile devices, the viewing angle of a 360 video is changed by dragging a finger across the screen or by navigating with the device.

Make sure you're using the latest version of the Facebook app. If you're using an iOS device, it should be an iPhone 4S or newer or an iPad 2 or newer. The iOS device also should be running iOS 7 or later. If you have an Android device, make sure you're using Android 4.3 or later.

Color Grading 360 degree video in Dubai

 

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Learn to use Canon C300 Mark 2

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The Canon EOS C300 Mark II is a true professional camera, and with 4K capability, the camera joins the ranks of high-end camera systems like the new ARRI Alexa SXT, the Red Epic Dragon, and the Sony F55. -
 

  • Super 35mm CMOS Sensor
  • 4K/24p and 30p
  • 2K RGB 444 12bit and 10bit options
  • Canon XF AVC H.264 Codec at 400+ MB/s
  • 4K RAW output
  • EF Lens Mount
  • Dual Pixel CMOS AF Technology
  • Rotating 4″ LCD Monitor
  • 2x 3G-SDI Output, 2x XLR Inputs
  • 2x CFast Card Slots
  • Timecode I/O, Genlock In & Sync OutCanon Log 2 Gamma

How to use Canon C300?

 

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Scratch VR - with Scratch pad

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Gesture-based grading panel of Assimilate

In addition to the already known support for all relevant panels Assimiliate is now bringing out a separate panel. Instead only illuminated buttons, the first version of the scratchpad (tentative name) will be provided with holographic buttons that könnnen show a continuation of the LED button 3D graphics. So Grading of Stereo3D content is more intuitive.

Encoders are recognized by Mocap-Camera, and so to a not depreciable (no moving parts), on the other hand for hand size, attitude and My personal and cultural preferences individually customized. There is the price any information, a first model will be on display at NAB.

Kinect compositing

The compositing features from scratch now work with the Microsoft Kinect together - so can be placed in the room via gesture control each element, and my posture arerelighting and DOF adjusted. S. Urkel, Head of Development, continued: "One problem with the Colorists is that the attitude of the panel can be harmful in the long term - that's why we are of assimilates with the new Kinect interface the only software provider for fit, movable Grader!"

Instagrading

Since many Grader anyway only use three different looks, features Assimilate now From web photo sharing app known "Instagram filter" to which the kit allows in cooperation with the LUTs a potty Grading - and so also error by the appointed makes interns impossible.

Support for LDR

Unique in Coloristenwelt is the support for LDR grading which, in view of current developments in the broadcasting sector "practically transmission standard was" so Urkle.The saving useless dynamic stages saves link bandwidth and prevents compression artifacts, particularly in H264 and WebM videos. A low-dynamic-range Legalizer, automated LUTs and practical converter nodes are available in the screen that appears to NAB version each user.

2-bit Mode

In order to leverage particular the contrast range of the monitors in the grading suite, Scratch is also an alternative interface with a matching codec available - in the 2: 0: 0 color space can be reduced all the videos on the essentials.

Chrome & consorts

"With the election of ChromeOS we ensure that the users of tomorrow can take full advantage of the power of Scratch. By connecting to mobile operating systems we open the door to new forms of creative work! "Says Product Manager S. Urkel. Furthermore, the new features are adapted to the needs of users - in order to create space for creative ideas in modern pipelines.

At NAB should at Assimilate booth Grading-enabled Chromebooks be seen with Scratch, and demo models further scratch ports. eS, BSD, Be / OS and Plan9 to the users are in the course of the second quarter are available, with the aim to develop the full force even in network environments - the link between the systems provides Scratch Web forth.Assimilate told that this choice of operating system found long-term market research - the systems with the best chance to still be relevant in 15 years.

Scratch VR

There was a whole bunch of new VR headsets to the updated Gear- and Oculus Rift versions to newly published Google Cardboard Plastic , thus already assisted in its development Assimilate was involved early on and the device to release.

Scratch Full - On Mobile

Another supported operating system for the full version of Scratch is Android (from version 6.1). According Assimilate as graders and finishers are on the move have access to all features, so far a hardware calibratable phone (list of available models) possess.

Scratch OS

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Birdman - Outstanding color grading feature film 2015 (HPA)

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The Hollywood Post Alliance (HPA) has unveiled the winners of the 10th Annual HPA Awards this evening at a gala celebration held at the Skirball Cultural Center in Los Angeles.  The HPA Awards recognize individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world.

Honors were bestowed in craft categories honoring behind the scenes artistry, Engineering Excellence, and Creativity and Innovation.  Leon D. Silverman, a founder and current president of the HPA, was the recipient of the prestigious HPA Lifetime Achievement Award.

The winners of the 2015 HPA Awards are:

Outstanding Color Grading – Sponsored by Dolby

Outstanding Color Grading – Feature Film

WINNER:
“Birdman” Steven J. Scott // Technicolor

NOMINEES:
“Monsoon” Charles Boileau // Post-Moderne

“Lady of Csejte” Keith Roush // Roush Media

“The Boxtrolls” John Daro // FotoKem

“Whiplash” Natasha Leonnet // Modern VideoFilm

Outstanding Color Grading – Television

WINNER:
“Boardwalk Empire – Golden Days for Boys and Girls” John Crowley // Technicolor PostWorks NY

NOMINEES:
“Game of Thrones – Hardhome” Joe Finley // Chainsaw, Inc.

“Masters of Sex – A Parliament of Owls” Matt Lear // Sony Pictures Television

“Olive Kitteridge – Incoming Tide” Pankaj Bajpai // Encore

“Sense8 – What’s Going On?” Tony Dustin // Technicolor

Outstanding Color Grading – Commercial

WINNER:
Lincoln – “Intro” Tom Poole // Company 3

NOMINEES:
Caterpillar – “Lantern Festival” Rob Sciarratta // Company 3

Dodge – “Wisdom” Beau Leon // Company 3

Lexus – “Face Off” Dave Hussey // Company 3

Toyota – “Harrier” Siggy Ferstl // Company 3