PIXELHOUSE COLOR GRADING SUITE UPDATED

Sudip baselight.jpg

We have recently upgraded our setup to whole new level.
- workflow support upto 8k@60fps
- SDR and HDR workflow
- hd, uhd format for amazon prime, netfilx, imax video mastering
- DCP creation
- 360 VR workflow solution
- Stereo 3D support
- Davinci Resolve Color Grading Suite.

Pixelhouse Production, is equipped with one of the best teams in the industry. We thrive in providing quality work at competitive rates and on time. We have the complete setup as a one stop shop from pre to post production. Whether it is Camera rental, Animation, CGI, Color Correction, Editing or VFX we have the infrastructure to provide it. Peruse our site to know all about us.

www.pixelhouse.ae

Creating dcp for vox cinemas Imax

Recently we created DCP for VOX CINEMAS IMAX.

KEY POINTS TO CHECK BEFORE YOU SUBMIT DCP FOR VOX CINEMAS

DCP SPECIFICATIONS
If you are supplying us with finished DCP please ensure that content supplied adheres to the
specifications outlined below and that files are pre-checked for quality.
Content is to be in widescreen 1.85:1 format due to technical restrictions on changing to
cinemascope format. It is preferred that images are not letter or pillar boxed. Content is to be
supplied on USB flash drive.
PICTURE FORMAT:
Colour space must be in a XYZ format
Widescreen aspect ratio must be 1998 X 1080 [1.85:1]
Picture frame rate must be 24 fps
Picture element must be in sync with the sound elements
AUDIO FORMAT:
Sound files Broadcast WAV format
Audio to be 7.1 full surround audio configuration
Sample rate 48KHZ and exactly 2000 audio samples per image, per image frame
Sound elements must be in sync with the picture element
The presentation level for sound must not exceed a loudness level of 82dB Leq
SOUND LEVEL RESTRICTIONS:
We require a loudness level that does not exceed an average of 82dB - JPEG 2000 sound
elements.
This standard is based on measurements by the Dolby LEQ Meter, which gives a numeric
value to a loudness average over the length of a commercial. The sound level of 82dB is
considered internationally to be the acceptable maximum level.
ELEMENTS SUPPLIED MUST INCLUDE:
An ASSETMAP file. This file must list all files that are included in the DCP
A CPL [composition playlist] data file (.XML)
A JP2k picture file (.mxf)
A PKL xml data file
A VOLINDEX data file
A wav audio file (.mxf)
COMPOSITION PLAYLISTS [CPLs] MUST COMPLY WITH THE DIGITAL CINEMA TITLE NAMING
CONVENTION
The below describes the naming convention for the Content Title Text and Annotation Text
fields in a Composition Playlist (CPL) for all Digital Cinema Packages (DCP).
The most significant information about the DCP is contained in the first 40 characters of the
CPL text fields, to accommodate certain digital cinema servers with limited user interface
character displays. Additional information is included for servers that can display more than
40 characters.
The title name must appear in the Content Title Text field and it may appear in the Annotation
Text field.
Under scores separate each field of information in the title name. Hyphens can be used to
separate words or parts within a field. No blank spaces are to be used. Generally, upper case
letters are used, with lower case letters used in specific instances as described below.

DCP VOX SUDIP.JPG

FOR EXAMPLE:
11513FRDFS302D_ADV_F_EN-XX_AU-AE_51-EN_2K_VM_20100601_DPM_OV
(ID no. 11513 client Ford product Fiesta length 30 seconds, Advertising, Flat, English audio
with no subtitles, for Australia ad not rated, 5.1 Audio with English narrative track, 2K
Resolution, distributed by Val Morgan, packaged on June 1 2010, at Digital Pictures
Melbourne, non-ghostbusted, original and entire version).

If you have problem creating DCP. We provide DCP creation Service from pixel house produciton. Contact us.

DaVinci Resolve Micro Panel Review

DaVinci Resolve Micro Panel Review

MEDIACAST, DUBAI, UAE loaned me a Blackmagic Resolve Micro panel for three days for this review. I must thank them for the experience. 

 Colorist - Sudip Shrestha (Pixelhouse Production - Dubai,UAE)

Colorist - Sudip Shrestha (Pixelhouse Production - Dubai,UAE)

The Micro panel is a well-constructed metal console with precision trackballs, rings, knobs and buttons. Panel mimics the controls in the software so it is very handy to perform any kind of color grading tasks.

It features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve’s full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.

Why do you need color control surface?

DAVINCI RESOLVE MICRO.jpeg

Any control surface, promises the user the ability to do the work of coloring without ever having to take his/ her eyes off of the image. Keyboard shortcuts and mouse will never let you simultaneously adjust color values in lift, gamma and gain so you need a dedicated hardware console for high end color grading tasks.
Most importantly, you need color control surface for SPEED, ACCURACY AND MULTITASKING.

DaVinci Resolve Micro Panel -  Pros

  • Awesome user experience and well built quality
  • Only for Davinci Resolve Colorists
  • Portable on desk as well as on location
  • Price

Cons

  • Works only with Davinci Resolve.
  • Few important keys are missing (copy/paste)
  • Cheaper and multi software support option available like Tangent ripple and oxygentec pro panel.
DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more!

ADOBE AI COLOR GRADING AND IT MATTERS

ADOBE AI COLOR GRADING

Adobe has introduced a Color Match feature, powered by its artificial intelligence engine Adobe Sensei. Color Match is able to take the color and light values from a reference image and then apply them as editable color adjustments to the current shot, all while intelligently adjusting for skin tones. 

With Color Match, it takes just a few clicks and adjustments to match the colors of various video clips. For broadcast-quality content, the Video Limiter ensures color grading meets broadcast standards. 
 

ADOBE SENSEI

Adobe Sensei is the magic behind the world's best digital experiences. It powers intelligent features across all Adobe products to dramatically improve the design and delivery of digital experiences, using artificial intelligence and machine learning in a common framework. 

Fundamentally different EPICOLOR

Artificial intelligence (AI) may be perceived as the future for software, but not everyone realises how much AI can do for color grading right now.

Lets talk about fundamentally different EPICOLOR

Even the best cameras in the world only record the incoming light and "see" color-shifts in a scene that would be imperceptible to the naked eye if observed in person

Based on an algorithm called Xe8472® which simulates the human brain visual system, the so-called Color Constancy it automatically corrects professional video to make it look natural and realistic without tedious manual correction

This technology is a first of it's kind and is the result of 15 years of research and development

for more info please visit - www.epicolor.film

Davinci Display for external monitor without using extra hardware

Davinci DIsplay

DaVinci Display is a virtual display for DaVinci Resolve. The main purpose of the application is to mirror the preview and allow to place it anywhere in your desktop. It enables you to have a picture preview in the external monitor without using extra hardware like Decklink or Unltrastudio.

How much does it cost?
US$ 25.00

Click HERE to download free trial:
 

Davinci Resolve Free Tutorial - Goat Eye View

Best Davinci Resolve Tutorial

If you are aspiring editor or colorist and looking for great resource to learn Davinci Resolve Software then we highly recommend Goat Eye View - Davinci Resolve tutorials.

Goat's Eye View, London-based post-production for film and television has produced a series of Davinci Resolve color grading tutorials by Daria Fissoun.
For more info - www.goatseyeview.co.uk

 

Best lut for vlogs - DSLR

 Click on image to download the luts.

Click on image to download the luts.

These luts for vlogger are perfect to make your footage more cinematic.

This LUT pack will be some base luts to get you a finished look or to a good starting point. It works with  Adobe Premiere Pro CC, Final Cut XDavinci Resolve and Assimilate Scratch.

Disclaimer

  • We have designed a creative lut.
  • It is calibrated for properly exposed and white balanced image in standard camera settings.
  • You will have to manually adjust temperature, tint and exposure if encountered unexpected results.
  • For any DSLR clips shot in Neutral picture settings.
  • Developed using 3dlutcreator.

Best windows laptop for Davinci Resolve 14

Best laptop for color grading in Davinci Resolve 14

Blackmagic design recommended laptops for color grading in Davinci Resolve 14.

Dell Precision 7720

 Approx US$ 3200.00

Approx US$ 3200.00

Intel Core™ i5 or i7 processors
32GB minimum system RAM
NVIDIA Quadro P4000; 8GB GDDR5 GPU
512GB SSD minimum system hard drive
http://www.dell.com/en-us/work/shop/productdetails/precision-17-7720-laptop

HP ZBook 17 G4 Customised Mobile Workstation

 Approx US$4500.00

Approx US$4500.00

intel Core i7 processor
16GB minimum system RAM
Quadro P5000 with Dreamcolor display
1TB System drive
http://store.hp.com/us/en/ConfigureView?catalogld=10051&urlLangId=&langId=-1&storeId=10151
&catEntryId=1661652&quqntity=1

Davinci Resolve 14 for mac system shopping guide

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COMPUTER

Apple MacPro
Late 2013 model,
12 Core Dual D700 GPU 2.7GHz
Intel Xeon E5 12 Core processor 32GB system RAM recommended
1TB PCIe-based internal flash storage Dual AMD FirePro D700 GPUs

Apple iMac with Retina Display
Mid 2017 27”Retina 5K model, quad-core i7 4.2GHz Intel Core i7 processor
32GB system RAM recommended
TB Internal SSD storage
Radeon Pro 580 with 8GB of VRAM

Apple MacBook Pro with Retina Display
id 2017 15” model, quad-core i7
3.1GHz Intel Core i7 processor
16GB system RAM
512GB PCIe-based SSD
Radeon Pro 560 with 4GB VRAM

Apple MacBook Pro with Retina Display
End 2016 15”model, quad-core i7
2.6GHz Intel Core i7 processor
16GB system RAM recommended
512GB PCIe internal flash storage
Radeon 450 with 2GB VRAM

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Apple MacBook Pro with Retina Display
Early 2015 13”model, dual-core i5
2.9GHz Intel Core i5 processor
16GB system RAM recommended
512GB PCIe internal flash storage
Intel Iris Graphics 6100 

Apple MacBook
Limited performance for more than HD ProRes Mid 2107 12”, dual-core i5
1.3GHz Intel Core i5 processor
8GB system RAM
512GB PCIe internal SSD storage
Intel HD Graphics 615

Apple Mac Mini
Optional Central Database Server
Late 2014 model, dual-core i7
3.0GHz Intel Core i7 processor
16GB system RAM
512GB PCIe internal flash storage
Intel Iris Graphics 5100 

Blackmagic Design Capture and Playback Card

  • UltraStudio 4K Extreme 3
  • UltraStudio 4K
  • UltraStudio Express
  • Mini Monitor
  • Mini Recorder

UI Monitor

  • LG Ultrafine 27” 5K Display 
  • Dell UltraSharp 27” Ultra HD 5K monitor 
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Color Grading panels

  • DaVinci Resolve Advanced Panel
  • DaVinci Resolve Micro Panel
  • DaVinci Resolve Micro Panel
  • Avid Artist Color
  • JLCooper’s Eclipse CX
  • OxygenTec ProPanel
  • Tangent Devices Element Bundle
  • Tangent Devices WAVE
  • Tangent Devices Ripple

 

 

Shooting and Grading STEEL SCULPTURES

STEEL HAS TO LOOK STEEL

Shot on Red’s Scarlet camera, we encountered a number of unique challenges from a dop point of view.  We had to use limited lighting due to 360 degree reflection from the steel sculptures.  

DOP & COLORIST - SUDIP SHRESTHA
PIXELHOUSE PRODUCTION

Before and After grading 

RENT SAMYANG VDSLR LENS - PIXELHOUSE PRODUCTIONS

 for rental inquiries -http://pixelhouse.ae/

for rental inquiries -http://pixelhouse.ae/

Pixel House Production is one of the leading tv and film production company in dubai, UAE . We provides full services in Feature Film, TV Commercials, Music Videos, TV Programs, Documentaries Films, Corporate Films and Events Production. We have equipments Inventory of RED Cameras, Lights, Grips, Broadcasting Camera and technical crew to support small, medium and Large production in Media Industry in Dubai UAE.

We provide the best price and Quality Production facilities, Equipment's, Crew and Support the local & International Film, TV & Events Productions in Dubai, Abu Dhabi UAE.

3D LUT Creator - The most Innovative color grading software

3D LUT creator

3D LUT Creator is the latest program with unique tools for professional color grading of digital images and video and creating 3DLUT-files that can be imported into many programs such as Adobe Photoshop,  Adobe After Effects, Adobe Premiere Pro, DaVinci Resolve, FinalCut Pro.

Color correction in 3D LUT Creator is made by bending grid tied to the color plane containing the saturation and hue. The use of this interface allows a user in few clicks completely change the color scheme of the image or work with the desired color ranges separately.

3D LUT Creator - innovative color grading software

  • It can manipulate colors in a way that's not possible in davinci resolve or photoshop without selective and tedious masking and tracking.
  • Color manipulation is smooth. No odd edges or banding if you need drastic shift of colors.
  • Easy to use and understand interface.
  • Unlimited creative freedom.

Advantage for videographers and photographers to work with 3D LUT Creator?

For the images. The program lets you save color settings in files with the extension .3dl, .cube, .csv which are cross-platform format. You can apply this color correction as an adjustment layer in Adobe Photoshop, thus making your retouching workflow independent of color correction.

For the video3D Lut creator is able to work correctly with different type of log and raw video. (LogC, BMD Film, SLog, RED Log, Cineon, Cinestyle Log. It allows you convert your log from video camera to Rec 709 with precise adjustment to white balance and exposure. You just need to take one frame of the video, process it in the program, save the settings and apply a color profile for the entire video!

For more information please visit - 3D LUT CREATOR

COLOR GRADING MOMENT TV SHOW SEASON 2 - FIRST OF ITS KIND IN ARAB WORLD

The moment is the first of its kind on the Arabic screen in terms of content and image.

About Moment TV Show - Season 2

The 15 minute tv show aims to address the ignorance of knowledge, by informing viewers about the latest scientific and technological advancements, simplifying them and explaining complex concepts in an entertaining and creative way. 

The program targets all age groups and seeks to explore the future through the huge practical discoveries made by scientists and inventors in different countries of the world.

 Program presented by Yasser Hareb

Program presented by Yasser Hareb

Watch Moment Season 1 if you have missed

MOMENT TV SHOW SEASON 2
DIRECTOR - AREF HAREB
PRESENTER - YASSER HAREB
DOP - VOLODYMYR USYK
SHOT - RED DIGITAL CINEMA
COLORIST - SUDIP SHRESTHA
30 EPISODES - 

Color Grading a tv show SADEEM in Pixelhouse

Sadeem is a 30-episode documentary that aims to inform viewers of the successes of humanity in all areas of life and how their efforts have enabled them to uncover some of the mystery of the universe, focusing on the giant step towards Mars, United Arab Emirates.

Color Grading Sadeem TV show

Shot in Sony FS7
Colorist - Sudip Shrestha
PIXELHOUSE PRODUCTIONS, UAE

Colour grading is enhancing the raw image that was shot on film or digital media to present to an audience on different formats. It is the bridge between the camera and the screen. There is a technical translation aspect to it, as well as allowing for a creative side of the process. The cinematographer has a chance here to enhance the image for the audience to enjoy the intended vision of the film or program. Colour grading has replaced the ‘colour timing’ process that was previously done in a film laboratory.

The role of the colourist is to help enhance that image and to be the cinematographer’s ‘hands’ by understanding his vision and making sure the audience will see the program or film in the way the cinematographer intended it be viewed. The colourist has a responsibility to convey the cinematographer’s intent. Obviously we (colourists) give creative input and have the technical know-how to carry out this process.

TIME TO PRAY - COLOR GRADING IN PIXEL HOUSE

 Short film "TIME TO PRAY" - Color grading in Pixelhouse Production, Dubai, UAE

Short film "TIME TO PRAY" - Color grading in Pixelhouse Production, Dubai, UAE

Shot in Canon 5D Mark 3

Director of Photography - Sara Munif
Colorist - Sudip Shrestha - www.pixelhouse.ae
Editor - Dania Mousa
Producer -Al Hanoof Al Jasmi
Director - Ahmed Al Kuwaiti

Grading SAMA in Davinci Resolve 14

 Short film "SAMA" graded in Davinci Resolve 14 Beta.

Short film "SAMA" graded in Davinci Resolve 14 Beta.

Shot in - Canon 5d mark 3 and Sony A7s Slog2.

Director of Photography - Peter Moussa
Colorist - Sudip Shrestha - www.pixelhouse.ae
Editor - Peter Moussa, Hind Anabtawi
Producer - Taline al Rasheed
Director - Hind Anabtawi