- Colorist : Sudip Shrestha - Pixelhouse.ae
Pixelhouse production, Dubai is providing remote color grading solution for Bahrain Media Industry.
For any sorts of business inquiry please contact dyca@pixelhouse.ae
www.pixelhouse.ae
Inspiring the world - Jill Bogdanowicz, Senior DI Colorist
JILL BOGDANOWICZ - Senior DI Colorist
Jill Bogdanowicz actually started her career as a colorist at an exceptionally early age. At the tender age of 18 she had already landed an internship in Kodak's telecine department in Rochester that lasted for two years. Highly educated, she attended the State University of New York at Geneseo as a fine arts major and (amazingly) a physics minor where she earned her BA degree.
Following that she attended art school in Italy at the University of Siena. She lives and loves art in her personal life through her hobbies painting with oils, water colors, and charcoal. And, of course, she has her own darkroom for black and white photography.
Bogdanowicz started her work as a digital colorist at Cinesite on the first full DI, O Brother, Where Art Thou?, for Joel and Ethan Coen and cinematographer Roger Deakins, ASC, BSC. She comes from a family of imaging experts — her father spent his career as a top-level scientist at Eastman Kodak’s Rochester, NY headquarters and her sister is also a successful digital colorist.
“The Bachelors (digital intermediate colorist) (post-production)
2016 Junior (TV Series) (colorist - 2016) (post-production)
2016 Ouija: Origin of Evil (digital intermediate colorist: Company 3)
2016 Birth of the Dragon (digital intermediate colorist)
2016 War Dogs (senior colorist)
2016 Ghostbusters (senior digital intermediate colorist)
2016 Roots (TV Mini-Series) (senior colorist - 4 episodes)
- Part 4 (2016) ... (senior colorist)
- Part 3 (2016) ... (senior colorist)
- Part 2 (2016) ... (senior colorist)
- Part 1 (2016) ... (senior colorist - uncredited)
2016 Teenage Mutant Ninja Turtles: Out of the Shadows (additional colorist)
2016 Miracles from Heaven (digital intermediate colorist)
2015-2016 Dr. Ken (TV Series) (senior colorist - 15 episodes)
- Ken at the Concert (2016) ... (senior colorist)
- The Wedding Sitter (2016) ... (senior colorist)
- Dave’s Valentine (2016) ... (senior colorist)
- D.K. And the Dishwasher (2016) ... (senior colorist)
- Ken’s Physical (2016) ... (senior colorist)
Show all 15 episodes
2015-2016 Agent Carter (TV Series) (senior colorist - 18 episodes)
- Hollywood Ending (2016) ... (senior colorist)
- A Little Song and Dance (2016) ... (senior colorist)
- The Edge of Mystery (2016) ... (senior colorist)
- Monsters (2016) ... (senior colorist)
- Life of the Party (2016) ... (senior colorist)
Show all 18 episodes
2016 Gods of Egypt (senior colorist)
2016 The Free World (senior colorist)
2015 Goosebumps (digital intermediate colorist)
2015 Blood & Oil (TV Series) (supervising digital colorist - 1 episode)
- Pilot (2015) ... (supervising digital colorist - uncredited)
2015 Blindspot (TV Series) (digital colorist - 1 episode)
- Pilot (2015) ... (digital colorist - uncredited)
2015/II Visions (digital intermediate colorist)
2015 Generosity of Eye (Documentary) (colorist)
2015 Sharing the Rough (Documentary) (colorist)
2015 Broken Horses (digital intermediate colorist)
2015 Last Knights (digital intermediate colorist)
2015 Mothers of the Bride (digital intermediate colorist)
2015 A Sort of Homecoming (digital intermediate colorist)
2015 What It Takes (Short) (colorist)
2015 Dragonheart 3: The Sorcerer’s Curse (Video) (digital intermediate colorist)
2015 All She Wishes (digital intermediate colorist)
2015 Wild Card (digital intermediate colourist)
2015 Cheerleader Death Squad (TV Movie) (digital colorist)
2015 Lumen (TV Movie) (digital colorist)
2014 Bluffing (Short) (colorist)
2014 Nanny Cam (digital intermediate colorist)
2014 The Brittany Murphy Story (digital intermediate colorist)
2014 Chasing Life (TV Series) (colorist)
2014 The Little Rascals Save the Day (Video) (colorist)
2014 Veronica Mars (colorist)
2014 The Grand Budapest Hotel (digital intermediate colorist)
2014 HR (TV Movie) (colorist)
2013 Mike Tyson: Undisputed Truth (TV Movie) (colorist)
2013 Beneath the Harvest Sky (digital intermediate colorist)
2013 Olympus Has Fallen (digital intermediate colorist)
2013 Dead Man Down (senior digital intermediate colorist)
2013 Manhunt: The Inside Story of the Hunt for Bin Laden (Documentary) (senior digital intermediate colorist)
2013 Stoker (digital intermediate colorist)
2013 Anatomy of Violence (TV Movie) (colorist)
2012/II Photo Finish (Short) (digital film colorist)
2012 La vida precoz y breve de Sabina Rivas (senior digital intermediate colorist)
2012 Trouble with the Curve (digital film colorist)
2012 The Expendables 2 (digital film colorist)
2012 Ted (digital film colorist)
2012 The Dictator (senior digital film colorist: Technicolor)
2012 Magic City (TV Series) (final colorist - 3 episodes)
- Castles Made of Sand (2012) ... (final colorist)
- Feeding Frenzy (2012) ... (final colorist)
- The Year of the Fin (2012) ... (final colorist)
2012/I A Thousand Words (digital film colorist)
2012 The Babymakers (senior digital intermediate colorist)
2012/I The Raven (digital colorist)
2012 LOL (senior digital film colorist)
2011 J. Edgar (digital film colorist)
2011 Hide Away (senior digital film colorist)
2011 Zookeeper (senior digital film colorist)
2011 The Hangover Part II (senior digital film colorist)
2011 Cinema Verite (TV Movie) (senior digital film colorist)
2011 Jesus Henry Christ (digital intermediate colorist)
2011 Source Code (digital film colorist)
2010 And Soon the Darkness (digital film colorist)
2010 The Big Bang (senior film colorist)
2010 Hereafter (digital film colorist)
2010 El Narco (senior digital film colorist)
2010 Grown Ups (digital film colorist)
2010 The Wolfman (digital film colorist)
2009 Invictus (digital film colorist)
2009 How I Survived the Zombie Apocalypse (Short) (colorist)
2009 Sorority Row (digital film colorist)
2008 Seven Pounds (digital film colorist)
2008 Gran Torino (digital film colorist)
2008 The Longshots (digital film colorist)
2008 Meet Dave (digital film colorist)
2008 Hancock (digital film colorist)
2008 Changeling (digital film colorist)
2008 Street Kings (digital film colorist)
2008 Superhero Movie (digital film colorist)
2008 Fireflies in the Garden (digital intermediate colorist)
2008 Welcome Home, Roscoe Jenkins (digital film colorist)
2007 Trick ‘r Treat (digital intermediate colorist)
2007 Along the Way (colorist)
2007 Things We Lost in the Fire (digital intermediate colorist: Technicolor Digital Intermediate)
2007 The Kingdom (digital film colorist)
2007 The Invisible (digital film colorist: Technicolor Digital Intermediates)
2007 Wild Hogs (digital film colorist)
2007 Norbit (digital film colorist)
2006 Smokin’ Aces (supervising digital colorist)
2006 Letters from Iwo Jima (digital film colorist)
2006 The Santa Clause 3: The Escape Clause (digital film colorist)
2006 Flags of Our Fathers (digital film colorist)
2006 All the King’s Men (digital film colorist)
2006 The Sentinel (digital film colorist)
2006 Scary Movie 4 (digital film colorist)
2006 The Shaggy Dog (digital film colorist: Technicolor Digital Intermediates)
2005 The Exorcism of Emily Rose (digital film colorist: Technicolor Digital Intermediate)
2005 The Dukes of Hazzard (digital film colorist)
2005 The Ring Two (video colorist)
2005 Hostage (digital intermediate colorist)
2004 Blade: Trinity (digital intermediate colorist: Laser Pacific)
2004/I Ray (colorist: Cinesite)
2004 She Hate Me (senior digital film colorist)
2004 Barbershop 2: Back in Business (digital intermediate colorist)
2004 Never Die Alone (senior digital film colorist)
2003 Connecting Dots (senior digital film colorist)
2003 The Last Samurai (senior digital film colorist)
2003 Gothika (digital intermediate colorist)
2003 S.W.A.T. (digital colorist)
2003 Klepto (digital intermediate colorist)
2003 A Guy Thing (digital opticals colorist - uncredited)
2002 Die Another Day (digital intermediate colorist)
2002 A Midsummer Night’s Rave (senior digital film colorist)
2002 September 11 (digital intermediate colorist - segment “USA”)
2002 Hart’s War (digital film colorist)
2001 Jay and Silent Bob Strike Back”
- IMAGE/INFO SOURCE - COMPANY 3, DIGITALMEDIANET.COM, EFILM
How to create professional Color Grading Environment?
SOLUTION
Colour of the wall - 18% GREY / SP50
Professional color grading rooms require careful attention in order to ensure colors are perceived accurately. SP-50 paint is carefully formulated to match modern color grading monitor performance and, therefore, optimize viewing conditions.
A typical setup will consist of painting the wall behind the monitors with SP-50. An ideal configuration will have all walls painted with calibrated paint. The ceiling can be non-reflective black or SP-50.
Why should you use it?
- Achieve an accurate color grading environment
- Calibrated monitors match from room to room
- Clients value a room built around SP-50
- Turns a normal room into a professional grading environment
- A small investment with great results
- Top facilities around the world build rooms this way
- Increase the value of your services
- Create a better working environment
Here are three options for building your room:
Good
- Wall behind monitors is painted with SP-50
- Ceiling is painted black or a really dark gray
- Other walls are painted white
- One SLS-01 light installed close to the ground and washing softly on the wall
- No other light sources, internal or external (windows)
Better
- Wall behind monitors is painted with SP-50
- Walls to the left and right of the console are painted with SP-50
- Back wall painted white
- Ceiling is painted black or a really dark gray
- Two SLS-01 lights installed approximately two meters apart, close to the ground and washing softly on the wall
- No other light sources, internal or external (windows)
Best
- All walls painted with SP-50
- Ceiling is painted black
- Two SLS-01 lights installed approximately two meters apart, close to the ground and washing softly on the wall
- No other light sources, internal or external (windows)
World's best colorist 2016- Steven J. Scott
17 November 2016 (Los Angeles, CA) The Hollywood Professional Association (HPA) announced the winners of the 2016 HPA Awards (#hpaawards) during a gala celebration tonight at the Skirball Cultural Center in Los Angeles. The HPA Awards recognize individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world.
Awards were bestowed in creative craft categories honoring behind-the-scenes artistry, and a host of special awards were also presented.
The winners of the 2016 HPA Awards are:
OUTSTANDING COLOR GRADING – FEATURE FILM
WINNER:
“The Revenant”
Steven J. Scott // Technicolor Production Services
OUTSTANDING COLOR GRADING – TELEVISION
WINNER:
“Gotham – By Fire”
Paul Westerbeck // Encore Hollywood
OUTSTANDING COLOR GRADING – COMMERCIAL
WINNER:
Hennessy “Odyssey”
Tom Poole // Company 3
Matching Cameras - Before you begin shoot
When shooting with multiple cameras, how can footage be matched between them?
Whether we know it or not, properly matched capture from each of our cameras is not only the right thing to do, it is a professional expectation. When camera teams are hired to cover an event or shoot a corporate video and three cameras are to be used, there is an unspoken understanding that the footage from each device will match.
Even seemingly simple footage is actually quite complex. There is a blend of elements, from grain and noise, to exposure and white balance.
If it’s impossible to bring matching equipment, choosing all of the camera settings prior to the shoot and then monitoring and adjusting prior to shooting will make the difference.
The best bet is to try to make enough time to test and work with the cameras prior to a shoot starting to at least get them close. Usually the larger the budget, the more setup and testing time there will be, but even with no lead time, a basic knowledge of how to set up cameras is important.
Checklist – Frame settings
Choose the frame size and rate that the project is to be delivered in and set each of the cameras to exactly those settings.
Shutter Speed/Angle
Ensure the shutter speed, also refered to as shutter angle, of each of the cameras is set the same. Shutter speed has a huge impact on the appearance of finished footage. Action sequences can benefit from overly quick shutter speeds, but a good starting place is generally around double the framerate of the camera.
White Balance
Each camera is different, but there should be tools for white balance on board. Most have a number of presets, and the more professional models will allow for custom white balancing, where a white card is held in front of the camera and set as the white that is recognized by the camera.
The key is to set the cameras to a similar setting to ensure that they’re close. If they all offer custom white balancing, that is obviously the best option.
ISO
Start with each camera set to the same ISO level and adjust. Many cameras have a default ISO, but the environment, lens characteristics, sensor characteristics or other factors can determine whether the level needs adjusting to more closely match other cameras.
While some high-end cameras that shoot RAW footage can have exposure tweaked a bit in post production, setting ISO properly in-camera is essential.
Adjusting the camera’s ISO to be as low as possible while delivering a nice, balanced image is key.
It’s going to be very difficult to get cameras exactly identical from simply adjusting settings and comparing monitors, but these basics will help get the process started. It’s all about getting them as close as possible to minimize the work that will need doing in post-production.
360 VR Underwater Shoot - Pixelhouse.ae
Testing 360 VR in Oculus Rift at Bahrain Sea water Festival - www.pixelhouse.ae
Pixelhouse.ae delivered the first 360 VR underwater Video Shoot Project for sea water festival in Bahrain.
Video was shot using a special under water rig designed for gopro using 8 gopro camera setup. Entire post production was executed in pixelhouse.ae and 3D elements were integrated inhouse.
The video can be watched using any VR headset like samsung vr, oculus rift and htc vive.
If you want to create any kind of 360 VR experience you can contact us.
Sudip@pixelhouse.ae
2016 Best colorist in Hollywood - HPA awards
Hollywood's best colorist award :
Hollywood Professional Association (HPA) Awards nominations was announced on Tuesday for the awards in postproduction categories, which will be handed Nov. 17 at the Skirball Cultural Center.
2016 HPA Award nominees for outstanding color grading are :
Feature Film Category : Best Colorist
Carol”
John Dowdell // Goldcrest Post Productions Ltd
“The Revenant”
Steven J. Scott // Technicolor Production Services
“Brooklyn”
Asa Shoul // Molinare
“The Martian”
Stephen Nakamura // Company 3
“The Jungle Book”
Steven J. Scott // Technicolor Production Services
Hollywood Movie - Fifty shades of Grey - FREE LUT
HOLLYWOOD MOVIE LUTS - DOWNLOAD FREE
HOLLYWOOD MOVIE LUTS- FREE DOWNLOAD
I receive a lot of requests to share the techniques I use to achieve the various bollywood/hollywood movie looks. Every week I will post tutorials and LUTs to achieve various grading styles. You can send me a sample clips to support me.
FREE DOWNLOAD LUTS
RETURN OF XANDER CAGE LUT - FOR LOG IMAGE
RETURN OF XANDER CAGE LUT - FOR LINEAR IMAGE
Virtual Reality shooting in Dubai
VR PRODUCTION DUBAI
Pixel House is a full- service virtual reality production company based in Dubai. We specialize in producing end to end VR (Virtual Reality) and 360 degree stereoscopic immersive experiences using latest technology.
Pixel House GOPRO OMNI - Dubai, UAE
VR PRODUCTION SERVICES
- CONCEPT
- DEVELOPMENT
- FILMING
- EDITING
- COMPOSITING
- GRADING
- 360 AUDIO
VR AUDIO MIC - PIXEL HOUSE
Why we use GOPRO OMNI VR over Nokia OZO?
- Pixel level Synchronization 8k Video Delivery.
- In 1440/60, the 64GB card allows you to record 3 hrs of footage.
- Protune enabled, Flat color settings and native white balance settings.
- You can easily do hand held shootings, helicopters, go-karts, speedboat, roller coasters and etc.
Please Contact : Pixelhouse for your VR production. or mail sudip@pixelhouse.ae
SGO MISTIKA 8.7 - HDR, VR & 8K
BEYOND COLOUR- SGO MISTIKA 8.7
The world’s most powerful, flexible and complete DI post-production solution. Mistika represents the cutting edge in DI finishing systems, offering the most modern, complete and flexible toolset available today for on-set, dailies, commercial, broadcast and feature film post-production environments.
SGO Mistika facility - THE LOOK - LONDON
Built on years of research, development and production experience, Mistika empowers facilities with new levels of creative power, performance and workflow efficiency, revolutionising what it means to deliver for a client. More than a simple grading system, Mistika is a complete online and finishing solution, sitting at the heart of the world’s most innovative facilities.
Hollywood movies graded in SGO MISTIKA
Mistika is a total post-production solution. With world class conform, online editing, VFX, colour-grading, stereoscopic 3D and delivery tools built in, Mistika stands as the creative foundation for any facility. All tools are instantly available, allowing creativity to be fully explored with speed and accuracy, guaranteeing the perfect end result for a client. And with the ability to jump seamlessly between tasks, Mistika removes the need to bounce media between functional areas within a post-facility; projects can be managed and completed within a single software package, without the need for time-consuming renders between production stages.
Mistika’s all-in-one platform blurs the divide between editorial, FX, colour and finishing, streamlining out-dated facility workflows and empowering operators with a new sense of artistic freedom.
To know more about Mistika Click HERE
Automatic Colorizing ALGORITHMIA
Result of using ALGORITHMIA to colorize black and white image.
Yes. Its time for automatic colorizing black and white photos to color.
Automatic Colorize by ALGORITHMIA
The research has long way to go before we see content aware colorize in photoshop, davinci or assimilate scratch, but proof of the concept is there exists.
You can try automatic coloring your b/w images now. Click Here
BIG UPGRADE - DAVINCI RESOLVE 12.5.1
General Improvements
- Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
- When running DaVinci Resolve in window mode, the macOS dock is now visible
- Improved latency for remote grading (Studio version)
- Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
- Improved behavior when creating render jobs on locations without write permissions
- General performance and stability improvements
Edit Improvements
- Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
- Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
- Added ability to import and export duration markers using EDL
- Added the ability for clips to snap to their own markers when adjusting In and Out points
- Improved consistency of edit functions when Timeline is in full-screen mode
- Added support for box wipe mode for offline reference wipe
- Added ability to extract AAF import log information as timeline markers
Color Improvements
- Improved performance for Spatial Noise reduction in Better mode
- Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
- Added ability to apply grades from a reference wipe using the viewer context menu
- Added ability to align keyframe timelines of color grades using playhead position and wiped still frame
- Next node and previous node operations now loop around the node graph
- The ‘displayed’ node graph now automatically updates when the current still is changed
- Swapping nodes now also swaps the node labels
- Rippling grades now also copies node labels, Power Window labels and node cache settings
- Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
- Added support for left eye and right eye grades for the timeline node graph (Studio version)
- Added ability to convert a mono timeline into stereoscopic 3D (Studio version)
- Added ability to convert a mono clip into stereoscopic 3D (Studio version)
- Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
- Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
- Added support copying DolbyVision grades using stills and middle click (Studio version)
- Improved 3D and Qualifier panel layout in dual screen mode
- Improved behavior to stay in the same frame when joining two clips
Resolve FX Improvements
- Added ResolveFX Generate Color (GPU accelerated)
- Added ResolveFX Tilt-shift Blur
- Added support for anamorphism in ResolveFX Lens Blur (Studio version)
- GPU acceleration support for ResolveFX Lens Flare (Studio version)
- Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
- GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
- Improved ResolveFX Scanlines and added various composite modes
- Ability to view the ResolveFX Scanline layer without the background
- Improved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
- Added support for horizontal/vertical ratio in ResolveFX Glow
- Added support for pan and tilt on ResolveFX Prism Blur
- Improved performance for ResolveFX Light Rays
- Improved performance for ResolveFX JPEG Damage
Media Improvements
- Added new Import Media options to File menu and Media Pool context menu
- Added support for stereoscopic 3D clips in Media Management (Studio version)
- Added support for display drive names in Media Storage on Windows
- Addressed issues with open file location from Media Pool on Linux
- Added Source Name tag support for filename without extension
- Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips
Codec & Format Improvements
- Added support for ProRes decoding on Windows
- Improved QuickTime decode and encode performance on Windows
- Support for UHD H.264 renders on Windows
- Improved QuickTime decoding and encoding performance on Linux
- Added support for HEVC (H.265) decoding on Linux
- Added support for alpha channel in DNxHR 444
- Added support for the Sony X-OCN format
- Added support for various AAC encode parameters on macOS
- Added support for QuickTime AAC audio encoding on Windows
- Added support for encoding QuickTime Photo JPEG files
- Added support for decoding AVCHD files from the Sony NEX-FS700 camera
- Added support for V-Gamut in RCM for improved Panasonic camera image handling
- Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
- Addressed decoding of last frame in some Panasonic AVCHD clips
- Improved handling of AVCHD .MTS clips
- Added support for RED SDK v6.2.1
DOWNLOAD FREE DAVINCI RESOLVE HERE.
Color in Motion
An Interactive Experience of Color Communication and Color Symbolism.
www.mariaclaudiacortes.com
Maria Claudia Cortes '03 (M.F.A., computer graphics design) has been receiving widespread praise for her RIT thesis project, an animated Web site titled Color in Motion. The project received Best of Category honors in the I.D. Magazine 2004 Student Design Review competition, it was featured by Communication Arts Magazine in the 2004 Interactive Design Annual, and also made the pages of the December 2004 issue of Proyecto Diseno, the leading design magazine in Cortes' home country, Colombia.
Cortes joined Eastman Kodak Company in 2003, working first in Rochester and now in Bogota, Colombia, for the Technical Knowledge Management Department. She is a multimedia developer and graphic designer.
Free Davinci Resolve color grading tutorial Ground Control Color
Ground Control makes LUTs. Awesome LUTs for color grading. Check their website for more info www.groundcontrolcolor.com
Understanding LUT - FILM RIOT
LUTS SIMPLIFIED
Luts can be a very confusing topic.
Ryan explains what a lut is and how to use it to make great images.
You can download free luts from www.digitalcinemacolorist.com
Download Davinci Resolve 12.5 lite FREE
Davinci Resolve 12.5 FREE DOWNLOAD
Blackmagic Design's DaVinci Resolve is a high-end color correction suite replete with an elaborate control surface designed for professional colorists. It costs $30,000.
There's $1,000 software-only version that runs on Mac, Windows and Linux - Davinci Resolve Studio and Free Davinci Resolve Lite version.
What you miss in Davinci Resolve Lite Version?
Collaborative Team Work
Database Server Option to share database with multiple Resolves.
Remote grading
Edit Sizing
Real time noise reduction
Extended HDR grading controls
Motion Effects palette with noise reduction and motion blur.
Added support for DaVinci Color Transform Language, .dctl
ResolveFX Film Grain - GPU accelerated,
ResolveFX Lens Flare
ResolveFX Lens Blur
Real Time Timeline Power Mastering
UHD Limit
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April 2024
- Apr 23, 2024 Color grading Music video for the King of Arab Pop Music - Aziz Abdo Apr 23, 2024
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February 2024
- Feb 16, 2024 Abudhabi golden visa for filmmakers Feb 16, 2024
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January 2024
- Jan 12, 2024 Pure color Infinite creativity - Filmlight Baselight 6.0 Jan 12, 2024
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December 2023
- Dec 24, 2023 Heartfelt thanks for UAE Golden Visa - Sudip Shrestha Dec 24, 2023
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June 2023
- Jun 22, 2023 The Art of Video Restoration: Bringing the Past to Life Jun 22, 2023
- Jun 4, 2023 Bringing life to Saudi's magnum opus, Al Meerath (500 Episodes) Jun 4, 2023
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May 2023
- May 27, 2023 Expressing Gratitude to the UAE Government for the Golden Visa May 27, 2023
- May 16, 2023 How to create stunning music video in low budget? May 16, 2023
- May 11, 2023 How to make your videos look beautiful? May 11, 2023
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April 2023
- Apr 19, 2023 How to color grade videos? Guide Apr 19, 2023
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March 2023
- Mar 26, 2023 Colorama - Remote color grading studio for filmmakers in Middle East Mar 26, 2023
- Mar 26, 2023 Importance of Color Grading in Commercials - CHAT GPT 4 Mar 26, 2023
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November 2022
- Nov 16, 2022 Netflix drama released Shadow - digitalcolourist - Sudip Shretha Nov 16, 2022
- Nov 16, 2022 My website name has changed to digitalcolourist.me Nov 16, 2022
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July 2022
- Jul 28, 2022 Camera setting for Dolby Vision Mastering Jul 28, 2022
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June 2022
- Jun 22, 2022 How to use Ipad Pro as color review device for filmmakers? Jun 22, 2022
- March 2022
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September 2021
- Sep 12, 2021 sharing my story of being digital colourist from nepal since 2007 Sep 12, 2021
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July 2021
- Jul 3, 2021 101 million+ views of ya habibi by arab no.1 Mohamed Ramadan & Gims Jul 3, 2021
- Jul 3, 2021 my second Nigerian movies - a soldier's story 2 goes hollywood (Lions gate Release) Jul 3, 2021
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February 2021
- Feb 21, 2021 how to color grade for blue or green chroma? Feb 21, 2021
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January 2021
- Jan 16, 2021 the most powerful color grading tool using machine learning in FLAME Jan 16, 2021
- Jan 15, 2021 Cheapest 4k color grading setup for Davinci Resolve Studio in 2021 Jan 15, 2021
- Jan 13, 2021 top 3 ofx plugins for colorist in 2021 Jan 13, 2021
- Jan 12, 2021 control, creativity, confidence and collaboration is baselight 5.3 Jan 12, 2021
- Jan 8, 2021 DIT- digital image technician service in uae Jan 8, 2021
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November 2020
- Nov 15, 2020 Music Video Colorist - Ya Habibi by Mohamad Ramadan Nov 15, 2020
- Nov 5, 2020 Free Color Grading Tutorial Nov 5, 2020
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September 2020
- Sep 10, 2020 Use of A.I to match dailies or multi-cameras - Colourlab Review Sep 10, 2020
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August 2020
- Aug 27, 2020 Color Managed Workflow for NETFLIX in Resolve: ACES Aug 27, 2020
- Aug 3, 2020 Client can attend Color Grading Session via Private Live Streaming Aug 3, 2020
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November 2019
- Nov 22, 2019 Long wishes - color graded by Sudip, Pixelhouse Nov 22, 2019
- Nov 21, 2019 Online Certified from MZED Nov 21, 2019
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October 2019
- Oct 3, 2019 HPA AWARD for outstanding Color Grading 2019 Oct 3, 2019
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September 2019
- Sep 27, 2019 Creating IMF for Netflix in UAE Sep 27, 2019
- Sep 25, 2019 Digital Cinema Colorist Showreel Sep 25, 2019
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August 2019
- Aug 27, 2019 Jason Antic, the AI man behind deoldify Aug 27, 2019
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April 2019
- Apr 10, 2019 Dolby Vision Mastering in UAE Apr 10, 2019
- Apr 8, 2019 DIT & my dit cart Apr 8, 2019
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March 2019
- Mar 21, 2019 Grading for vevo - Gara Eh for Ahmed Hassan - EGYPT Mar 21, 2019
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January 2019
- Jan 12, 2019 Download Baselight 5.0 student version Jan 12, 2019
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October 2018
- Oct 31, 2018 Blackmagic design eGPU Pro - not yet finished product Oct 31, 2018
- Oct 28, 2018 Pixelhouse music video production "Sa’at Bansaha" by Magra B Oct 28, 2018
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July 2018
- Jul 14, 2018 Netflix color pipeline Jul 14, 2018
- Jul 11, 2018 Color Grading for Netflix Jul 11, 2018
- Jul 8, 2018 Netflix approved camera, codecs and specs Jul 8, 2018
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May 2018
- May 19, 2018 Creating dcp for vox cinemas Imax May 19, 2018
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April 2018
- Apr 28, 2018 Color grading Nollywood feature film Apr 28, 2018
- Apr 16, 2018 DaVinci Resolve Micro Panel Review Apr 16, 2018
- Apr 4, 2018 ADOBE AI COLOR GRADING AND IT MATTERS Apr 4, 2018
- Apr 4, 2018 Color grading for tv commercial Apr 4, 2018
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February 2018
- Feb 14, 2018 Fundamentally different EPICOLOR Feb 14, 2018
- Feb 8, 2018 Davinci Display for external monitor without using extra hardware Feb 8, 2018
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December 2017
- Dec 17, 2017 Color grading Bahrain music videos Dec 17, 2017
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November 2017
- Nov 26, 2017 Davinci Resolve Free Tutorial - Goat Eye View Nov 26, 2017
- Nov 7, 2017 Best lut for vlogs - DSLR Nov 7, 2017
- Nov 2, 2017 Best windows laptop for Davinci Resolve 14 Nov 2, 2017
- Nov 1, 2017 Davinci Resolve 14 for mac system shopping guide Nov 1, 2017
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October 2017
- Oct 30, 2017 Shooting and Grading STEEL SCULPTURES Oct 30, 2017
- Oct 11, 2017 RENT SAMYANG VDSLR LENS - PIXELHOUSE PRODUCTIONS Oct 11, 2017
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September 2017
- Sep 7, 2017 3D LUT Creator - The most Innovative color grading software Sep 7, 2017
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May 2017
- May 23, 2017 COLOR GRADING MOMENT TV SHOW SEASON 2 - FIRST OF ITS KIND IN ARAB WORLD May 23, 2017
- May 22, 2017 Color Grading a tv show SADEEM in Pixelhouse May 22, 2017
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April 2017
- Apr 28, 2017 TIME TO PRAY - COLOR GRADING IN PIXEL HOUSE Apr 28, 2017
- Apr 27, 2017 Grading SAMA in Davinci Resolve 14 Apr 27, 2017
- Apr 27, 2017 BEST COLORIST FOR MUSIC VIDEO NOMINEE - AICE2017 TEAL & ORANGE MADNESS Apr 27, 2017
- Apr 27, 2017 Color Grading Monitor in budget - HP Z31x DreamColor Studio Display Apr 27, 2017
- Apr 24, 2017 DAVINCI RESOLVE 14 - THE NEW JACK OF POST-PRODUCTION Apr 24, 2017
- Apr 18, 2017 Download free Baselight STUDENT from filmlight Apr 18, 2017
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January 2017
- Jan 26, 2017 What next big thing we need in color grading softwares? Jan 26, 2017
- Jan 24, 2017 SONY BVM-X300 V 2.0 - De Facto Standard Monitor for Colorist Jan 24, 2017
- Jan 17, 2017 MediaLight - for professional color grading suite Jan 17, 2017
- Jan 12, 2017 Color grading for Bahrain media industry from Pixel House Jan 12, 2017
- Jan 3, 2017 Inspiring the world - Jill Bogdanowicz, Senior DI Colorist Jan 3, 2017
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December 2016
- Dec 28, 2016 How to create professional Color Grading Environment? Dec 28, 2016
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November 2016
- Nov 19, 2016 World's best colorist 2016- Steven J. Scott Nov 19, 2016
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October 2016
- Oct 27, 2016 Matching Cameras - Before you begin shoot Oct 27, 2016
- Oct 19, 2016 360 VR Underwater Shoot - Pixelhouse.ae Oct 19, 2016
- Oct 4, 2016 2016 Best colorist in Hollywood - HPA awards Oct 4, 2016
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September 2016
- Sep 7, 2016 Hollywood Movie - Fifty shades of Grey - FREE LUT Sep 7, 2016
- Sep 5, 2016 HOLLYWOOD MOVIE LUTS - DOWNLOAD FREE Sep 5, 2016
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August 2016
- Aug 30, 2016 Virtual Reality shooting in Dubai Aug 30, 2016
- Aug 29, 2016 SGO MISTIKA 8.7 - HDR, VR & 8K Aug 29, 2016
- Aug 16, 2016 Automatic Colorizing ALGORITHMIA Aug 16, 2016
- Aug 12, 2016 BIG UPGRADE - DAVINCI RESOLVE 12.5.1 Aug 12, 2016
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June 2016
- Jun 26, 2016 Color in Motion Jun 26, 2016
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May 2016
- May 26, 2016 Free Davinci Resolve color grading tutorial Ground Control Color May 26, 2016
- May 16, 2016 Understanding LUT - FILM RIOT May 16, 2016
- May 10, 2016 Download Davinci Resolve 12.5 lite FREE May 10, 2016
- May 3, 2016 HDR Color Grading Solutions May 3, 2016
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April 2016
- Apr 27, 2016 ACES - Demystified- Andreas Brueckl Apr 27, 2016
- Apr 27, 2016 Color Grading in Davinci Resolve 12.5 - Dubai Apr 27, 2016
- Apr 27, 2016 PRELIGHT - Free on set color grading tool from Filmlight Apr 27, 2016
- Apr 16, 2016 The invention of color -Philip Ball Apr 16, 2016
- Apr 12, 2016 High Frame Rate - HFR in Cinema Apr 12, 2016
- Apr 10, 2016 360 degree video color grading in Dubai Apr 10, 2016
- Apr 4, 2016 Learn to use Canon C300 Mark 2 Apr 4, 2016
- Apr 2, 2016 Scratch VR - with Scratch pad Apr 2, 2016
- Apr 1, 2016 Birdman - Outstanding color grading feature film 2015 (HPA) Apr 1, 2016
- Apr 1, 2016 Online color test challenge -Xrite Apr 1, 2016
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March 2016
- Mar 30, 2016 Filmlight Baselight 5.0 announced Mar 30, 2016
- Mar 21, 2016 Color grading feature film in Dubai Mar 21, 2016
- Mar 11, 2016 Learn about Scratch 8.4 in Dubai. Mar 11, 2016
- Mar 11, 2016 Ahmed AlSultan - Music Video Color Grading in Dubai Mar 11, 2016
- Mar 10, 2016 Canon C300 Mark ii in Dubai Cabsat 2016 Mar 10, 2016
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February 2016
- Feb 28, 2016 Grading for South African Director Jacques Brown Feb 28, 2016
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January 2016
- Jan 30, 2016 Edelkrone in Dubai - Slider one, Flex Tilt head Jan 30, 2016
- Jan 26, 2016 Shooting in Dubai Guidelines and Faqs Jan 26, 2016
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December 2015
- Dec 29, 2015 Scratch 8 - Colour Grading Studio in Dubai Dec 29, 2015
- Dec 28, 2015 Thank you - Tambi Studios (2013 -2015) Dec 28, 2015
- Dec 24, 2015 Colour correction - Top websites Dec 24, 2015
- Dec 21, 2015 Color Grading - Innovative Heros Dec 21, 2015
- Dec 5, 2015 Da Habibi - Abdelfettah Grini is back with a new single Dec 5, 2015
- Dec 1, 2015 Color Grading - Lexus TVC in Dubai Dec 1, 2015
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November 2015
- Nov 29, 2015 Color Grading - SAHARA AL ARAB - MY LAND.MY MUSIC Nov 29, 2015
- Nov 25, 2015 Color grading television commercial in Dubai Nov 25, 2015
- Nov 24, 2015 Straight out of the camera vs on screen feat Nathalie saba - SNOW Nov 24, 2015
- Nov 2, 2015 How to match your camera colors accurate? Use Color Checker Nov 2, 2015
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October 2015
- Oct 27, 2015 Free eBooks on Color Grading & Color Science Oct 27, 2015
- Oct 27, 2015 Nepal's first Point Of View - Cinematography film "FACEBOOK TODAY" Oct 27, 2015
- Oct 12, 2015 Color Grading in Dubai Oct 12, 2015
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September 2015
- Sep 15, 2015 Why Shoot in LOG or FLAT? Sep 15, 2015
- Sep 6, 2015 FIRST HDR VIDEO CAMERA - Contrast's AMP HDR Sep 6, 2015
- Sep 6, 2015 LEARN HDR - Tery Ratchliff Sep 6, 2015
- Sep 3, 2015 X-Rite ColorMunki Smile - Cheapest Monitor Calibration Sep 3, 2015
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August 2015
- Aug 13, 2015 AUTO DCP - Try AUTODCP for free Aug 13, 2015
- Aug 10, 2015 Optical illusions show how we see by Beau Lotto Aug 10, 2015
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July 2015
- Jul 29, 2015 The Cheapest Color Grading Panel OXYGEN PRO PANEL $800 Jul 29, 2015
- Jul 27, 2015 Davinci Resolve 12 - Beta Released Jul 27, 2015
- Jul 23, 2015 RED CINEMA - On Set - The Ultimate Workflow Jul 23, 2015
- Jul 17, 2015 GRADING SHOT IN RED - LOG VS LINEAR OVERVIEW Jul 17, 2015
- Jul 16, 2015 Get Inspired : Adobe Color CC with Lumetri Color Tool Jul 16, 2015
- Jul 15, 2015 KING OF CREATIVE DI - ASSIMILATE SCRATCH 8.3 Jul 15, 2015
- Jul 7, 2015 Dolby Vision - HDR & Future Jul 7, 2015
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June 2015
- Jun 27, 2015 The grapherScope Try it for free - win/mac Jun 27, 2015
- Jun 21, 2015 Understanding Color & technology Jun 21, 2015
- Jun 20, 2015 Make a Digital Cinema Package with OpenDCP for free Jun 20, 2015
- Jun 17, 2015 Demystify - OpenEXR & ACES Jun 17, 2015
- Jun 15, 2015 Evaluating Your Video Color Reproduction Using Color Bars Jun 15, 2015
- Jun 15, 2015 Which is the best cable for your video monitor? Jun 15, 2015
- Jun 14, 2015 How to compress a video for internet? Jun 14, 2015
- Jun 13, 2015 Director's Guide to Color Grading Jun 13, 2015
- Jun 9, 2015 4K Monitor for Digital Cinema Colour Grading - ColorEdge cG318-4k review Jun 9, 2015
- Jun 8, 2015 TIPS : HD CAN LOOK LIKE 4k Jun 8, 2015
- Jun 7, 2015 TIPS FOR COLOR CORRECTION Jun 7, 2015
- Jun 7, 2015 Learn Depth of Field with this Powerful (& Free) Online DOF Simulator Jun 7, 2015
- Jun 7, 2015 NUCODA Jun 7, 2015
- Jun 4, 2015 All about LUTS Jun 4, 2015
- Jun 3, 2015 Hollywood's color madness Jun 3, 2015
- Jun 3, 2015 AJA CION SUMMER OFFER - 4K @ $5K Jun 3, 2015
- Jun 3, 2015 Calibrate your monitor Jun 3, 2015
- Jun 3, 2015 Free Color Grading Tools Jun 3, 2015
- Jun 2, 2015 Kinemax 6k Jun 2, 2015
- Jun 1, 2015 Davinci Resolve 12 Getting New Editing Features – NAB 2015 Jun 1, 2015
HDR Color Grading Solutions
HDR COLOR GRADING FACILITY IN DUBAI, UAE
HDR requires high contrast with deep blacks & bright whites, not just brighter pixels. Simply making a scene brighter isn’t the solution and can skew the creative intent of a scene.
Different types of content (theatrical, live sports, local news, and music videos), benefit from different approaches. An old TV show (vintage color correction) does not require the same level of remastering for HDR that a new theatrical release would require. Creating content now in HDR provides greater flexibility, even if the final delivery format is not HDR. Expanding the dynamic range of content to improve the experience while preserving artistic intent is what we do best. Our services include a range of solutions for both existing libraries and new content creation from camera original RAW content.
HDR color grading services are available at Pixel House post production facilities in Dubai, UAE. Projects will be graded to the HDR specifications set forth by the UHD Alliance by colorist Sudip Shrestha.
Mail : Sudip@pixelhouse.ae for booking a schedule.
ACES - Demystified- Andreas Brueckl
Senior colorist Andreas Brueckl
Andreas Brueckl is founder of the Colormeup! academy and one of Europe's most respected colorists.
In the last few years he was grading about 200 TVCs a year as well as multiple tv shows, feature films and documentaries. Beside grading he was also supervising as lead colorist.
He works as a colorist on Baselight, DaVinci Resolve, Assimilate Scratch and Nucoda Filmmaster.
Andreas Brueckl is booked worldwide, color grading campaigns for e.g.: Vodafone, CocaCola, Volkswagen, Toyota, Audi, L’Oreal, Wella, Omo, HSBC, Magnum and many more.
He has published a couple of colorgrading tutorials.
Check out his tutorial-channel on vimeo
Since December 2014 he is exclusively contracted as Lead Colorist at Imagica SEA / Pinewood Studios in Malaysia.
If you are interested in a grading session, please get in contact.
Remote grading is also possible.
Contact: email
Skype: andreasbrckl
Follow me on Facebook: Fanpage
Vimeo-Channel: https://vimeo.com/colorgrading
List of his projects: www.crew-united.com
Color Grading in Davinci Resolve 12.5 - Dubai
Hollywood's most powerful color corrector!
DaVinci Resolve 12.5 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.
What’s New in DaVinci Resolve 12.5
DaVinci Resolve 12.5 is a massive update with over 1,000 enhancements and 250 new features that give editors and colorists dozens of new editing and trimming tools, incredible new media management and organization functions, new retiming effects, enhanced keyframe controls, on-screen text editing, new ResolveFX plug-ins and much more! The re-designed node editor is easier and more intuitive to use, there are new HDR grading tools, vastly improved noise reduction, lens distortion correction, a completely redesigned Deliver page for outputting projects and a new Fusion Connect command for round tripping visual effects shots between DaVinci Resolve and Fusion!
The world’s most advanced color grading tools.
DaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!
Contact Us to visit our Color Grading Suite in Dubai, UAE.