High Frame Rate - HFR in Cinema

In the past few years we’ve been pushing the technology envelope pretty hard – trying to get higher frame rates, greater resolution, more dynamic range,  more bit depth, more throughput/bit rates and RAW.   

 

High frame rates - delivering a higher standard

High frame rate movies are the way of the future. This new standard for movie production creates extraordinary crisp, lifelike images that transport audiences into the action.
 

What is HFR?


Frame rates are the number of images displayed by a projector in one second. 24 frames per second (FPS) is the standard in cinema. High frame rate productions of 48 or 60 FPS will set the bar higher - and set a new standard for moviegoers.

High Frame Rate (HFR) movies record and play visuals at twice the rate or more of what's shown in today’s cinemas. Increasing the frame rate stops the blurring, flickering and stuttering visuals that are common with 24 FPS movies.

In 24 frame-per-second 3D action sequences, the fast-moving 3D images will appear to break apart, and most audience members will struggle to focus on the images. It’s this “image break up” that causes some audience members to feel ill or uncomfortable watching 3D movies.

The problem is solved with HFR 3D movies.

 

Higher frame rates will soon be the norm


Higher frame rates will improve 3D movies dramatically - creating ultrarealistic and more comfortable moviegoing experiences – and set a new industry standard.  – Recent releases of The Hobit (An Unexpected Journey, The Desolation of Smaug and The Battle of the Five Armies) as well as upcoming “Avatar’s” sequels – will use 3D HFR. Peter Jackson and James Cameron are betting on the fact that audiences will love the more immersive and detailed 3D HFR productions.

360 degree video color grading in Dubai

What is a 360 video?

A 360 video is created with a camera system that simultaneously records all 360 degrees of a scene. Viewers can pan and rotate a 360 video's perspective to watch it from different angles.

These videos have a “360 video” label in the lower left-hand corner and are viewable on computer, iOS devices and Android devices.

360 videos on computer

When watching a 360 video on a computer, the viewing angle is changed by dragging with the mouse.

Make sure you're using the latest version of your web browser (ex. Chrome, Firefox). 360 videos on Facebook aren't viewable on Safari or Internet Explorer.

360 videos on mobile

On iOS and Android mobile devices, the viewing angle of a 360 video is changed by dragging a finger across the screen or by navigating with the device.

Make sure you're using the latest version of the Facebook app. If you're using an iOS device, it should be an iPhone 4S or newer or an iPad 2 or newer. The iOS device also should be running iOS 7 or later. If you have an Android device, make sure you're using Android 4.3 or later.

Color Grading 360 degree video in Dubai

 

Learn to use Canon C300 Mark 2

The Canon EOS C300 Mark II is a true professional camera, and with 4K capability, the camera joins the ranks of high-end camera systems like the new ARRI Alexa SXT, the Red Epic Dragon, and the Sony F55. -
 

  • Super 35mm CMOS Sensor
  • 4K/24p and 30p
  • 2K RGB 444 12bit and 10bit options
  • Canon XF AVC H.264 Codec at 400+ MB/s
  • 4K RAW output
  • EF Lens Mount
  • Dual Pixel CMOS AF Technology
  • Rotating 4″ LCD Monitor
  • 2x 3G-SDI Output, 2x XLR Inputs
  • 2x CFast Card Slots
  • Timecode I/O, Genlock In & Sync OutCanon Log 2 Gamma

How to use Canon C300?

 

Scratch VR - with Scratch pad

Gesture-based grading panel of Assimilate

In addition to the already known support for all relevant panels Assimiliate is now bringing out a separate panel. Instead only illuminated buttons, the first version of the scratchpad (tentative name) will be provided with holographic buttons that könnnen show a continuation of the LED button 3D graphics. So Grading of Stereo3D content is more intuitive.

Encoders are recognized by Mocap-Camera, and so to a not depreciable (no moving parts), on the other hand for hand size, attitude and My personal and cultural preferences individually customized. There is the price any information, a first model will be on display at NAB.

Kinect compositing

The compositing features from scratch now work with the Microsoft Kinect together - so can be placed in the room via gesture control each element, and my posture arerelighting and DOF adjusted. S. Urkel, Head of Development, continued: "One problem with the Colorists is that the attitude of the panel can be harmful in the long term - that's why we are of assimilates with the new Kinect interface the only software provider for fit, movable Grader!"

Instagrading

Since many Grader anyway only use three different looks, features Assimilate now From web photo sharing app known "Instagram filter" to which the kit allows in cooperation with the LUTs a potty Grading - and so also error by the appointed makes interns impossible.

Support for LDR

Unique in Coloristenwelt is the support for LDR grading which, in view of current developments in the broadcasting sector "practically transmission standard was" so Urkle.The saving useless dynamic stages saves link bandwidth and prevents compression artifacts, particularly in H264 and WebM videos. A low-dynamic-range Legalizer, automated LUTs and practical converter nodes are available in the screen that appears to NAB version each user.

2-bit Mode

In order to leverage particular the contrast range of the monitors in the grading suite, Scratch is also an alternative interface with a matching codec available - in the 2: 0: 0 color space can be reduced all the videos on the essentials.

Chrome & consorts

"With the election of ChromeOS we ensure that the users of tomorrow can take full advantage of the power of Scratch. By connecting to mobile operating systems we open the door to new forms of creative work! "Says Product Manager S. Urkel. Furthermore, the new features are adapted to the needs of users - in order to create space for creative ideas in modern pipelines.

At NAB should at Assimilate booth Grading-enabled Chromebooks be seen with Scratch, and demo models further scratch ports. eS, BSD, Be / OS and Plan9 to the users are in the course of the second quarter are available, with the aim to develop the full force even in network environments - the link between the systems provides Scratch Web forth.Assimilate told that this choice of operating system found long-term market research - the systems with the best chance to still be relevant in 15 years.

Scratch VR

There was a whole bunch of new VR headsets to the updated Gear- and Oculus Rift versions to newly published Google Cardboard Plastic , thus already assisted in its development Assimilate was involved early on and the device to release.

Scratch Full - On Mobile

Another supported operating system for the full version of Scratch is Android (from version 6.1). According Assimilate as graders and finishers are on the move have access to all features, so far a hardware calibratable phone (list of available models) possess.

Scratch OS

Birdman - Outstanding color grading feature film 2015 (HPA)

The Hollywood Post Alliance (HPA) has unveiled the winners of the 10th Annual HPA Awards this evening at a gala celebration held at the Skirball Cultural Center in Los Angeles.  The HPA Awards recognize individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world.

Honors were bestowed in craft categories honoring behind the scenes artistry, Engineering Excellence, and Creativity and Innovation.  Leon D. Silverman, a founder and current president of the HPA, was the recipient of the prestigious HPA Lifetime Achievement Award.

The winners of the 2015 HPA Awards are:

Outstanding Color Grading – Sponsored by Dolby

Outstanding Color Grading – Feature Film

WINNER:
“Birdman” Steven J. Scott // Technicolor

NOMINEES:
“Monsoon” Charles Boileau // Post-Moderne

“Lady of Csejte” Keith Roush // Roush Media

“The Boxtrolls” John Daro // FotoKem

“Whiplash” Natasha Leonnet // Modern VideoFilm

Outstanding Color Grading – Television

WINNER:
“Boardwalk Empire – Golden Days for Boys and Girls” John Crowley // Technicolor PostWorks NY

NOMINEES:
“Game of Thrones – Hardhome” Joe Finley // Chainsaw, Inc.

“Masters of Sex – A Parliament of Owls” Matt Lear // Sony Pictures Television

“Olive Kitteridge – Incoming Tide” Pankaj Bajpai // Encore

“Sense8 – What’s Going On?” Tony Dustin // Technicolor

Outstanding Color Grading – Commercial

WINNER:
Lincoln – “Intro” Tom Poole // Company 3

NOMINEES:
Caterpillar – “Lantern Festival” Rob Sciarratta // Company 3

Dodge – “Wisdom” Beau Leon // Company 3

Lexus – “Face Off” Dave Hussey // Company 3

Toyota – “Harrier” Siggy Ferstl // Company 3

Online color test challenge -Xrite

How well do you see color?

FACT: 1 out of 255 women and 1 out of 12 men have some form of color vision deficiency. Take the online color challenge, based on the Farnsworth Munsell 100 Hue .

Regardless of your color vision score, your ability to see color accurately depends on many factors.

  • Lighting: Light plays a significant role in color perception. It's actually the color of the light that determines the color your brain will perceive. Examine samples side-by-side when comparing colors, preferably under controlled lighting conditions.
  • Backgrounds Effects: A phenomenon called simultaneous contrast means that the background upon which we’re evaluating color strongly affects our eye's ability to correctly perceive the color.
  • Retinal Fatigue: Our eyes get tired very easily. When we stare at an object for longer than a few seconds, chemicals in our eyes start to deplete and begin sending incorrect information to our brains.
  • Poor Color Memory: Our brains find it extremely difficult to remember the specifics of any given color. Even looking at two colors across the room from each other to see if they match is a challenge.
  • Age: As we get older, color perception starts to fade. However, color perception isn’t just innate; it's also a learned skill.
  • Accept the color test challenge. Click Here.

Filmlight Baselight 5.0 announced

FilmLight has announced the introduction of Baselight 5.0, the new version of its high-performance flagship colour finishing system. Baselight 5.0 is boosted with more than 50 new features.

Baselight 5.0 introduces a host of new high-tech features and creative tools to the leading colour grading application.

The most notable new concept to improve colour grading techniques is Base Grade. To give colourists natural, instinctual access to subtle grading, this creative tool moves away from the traditional lift/gamma/gain approach, to a set of controls which accurately mimic the way the eye appreciates colour: via exposure, temperature and balance. It gives the grading controls a more natural feel and results in smooth, consistent changes.

Base Grade isn’t the only step taken to make modern grading workflows more comprehensive and assured. Baselight 5.0 also provides added HDR capabilities through colour space ‘families’ – which hugely simplify the deliverables process for distinct viewing environments such as television, 4k projection and handheld devices – and gamut optimisation to provide natural gamut mapping deliverables and avoid clipping when captured colours can’t be displayed on a cinema or television screen.

With all Baselight releases, FilmLight strives to improve both productivity and creativity, and this one is no different. Baselight 5.0 boasts several tools that are specifically tailored to give colourists more creative control and reduce the time and energy spent out of the grading suite for round tripping with other effects and finishing systems:

  • Perspective operator to allow easy screen replacement and re-projection
  • Perspective tracking of images, shapes, paint strokes and grid warps using either 4 1-point trackers or new perspective-capable area tracker.
  • Grid warper
  • Dedicated keyer for production quality blue and green screen keying
  • Paint tool for retouching, such as logo removal
  • Relight tool to add virtual lights to a scene
  • Matchbox shader including support for Flame Matchbox shaders

New software release Baselight 5.0 will be available for all BLG-enabled products from FilmLight, including the Daylight dailies and media management platform, as well as Baselight for Avid and Baselight for NUKE in the Baselight Editions range.

Learn about Scratch 8.4 in Dubai.

SCRATCH – the world’s fastest, most interactive creative platform. Enabling artists and the technology of artistry for realtime dailies, color, compositing, and finishing workflows since 2004.

Any format, any resolution. HD, 3D, VR, 2k, 4k, 8k and beyond. Windows or Mac. Desktop or notebook.

A palette for the artist. A flexible platform for the technologist.

Learn Assimilate Scratch with Sudip Shrestha on site. 

Click Here to know more about Assimilate Scratch.
 

Click here for trial Registration of world best colour grading and finishing software, Scratch.

Canon C300 Mark ii in Dubai Cabsat 2016

EOS C300 MARK II - KEY FEATURES

  • 8.85MP Super 35mm Canon CMOS sensor.
  • Shoot 4K at up to 410Mbps/10-bit with the Canon XF-AVC H.264 codec for easy 4K integration into existing workflows.
  • 15 stops of dynamic range with Canon Log2.
  • Simultaneously record 4K to dual internal CFast 2.0™ cards*, 2K/FHD proxy files to SD card and output 4K RAW to external devices.
  • Concentrate on the action with improvements in Dual Pixel CMOS AF, Face Detection AF and Auto White Balance.
  • High-sensitivity, low-noise images up to ISO 102,400.
  • Sensor readout speed is improved, producing even lower rolling shutter distortion.
  • Support for BT.2020, Canon Cinema Gamut and DCI-P3 colour space
  • 4 channel 16/24-bit audio.
  • Huge range of compatible lenses, servo zoom support and service changeable PL mount option.

Grading for South African Director Jacques Brown

Jacques Brown is a South African born International director currently based in Dubai. His love for fashion and glamour drives his creativity and vision adding flare to his concepts and directing style. He see's every project and client as a new challenge and strives to give them an individual and unique story that suits their needs and brand identity. His passion for film making is evident from the first time you meet him and is reflected in everything that he does. You can see it in his work. The most important aspect of any project for him is the journey of making a production come to life with his clients and team. He truly is a visionary director with his own distinctive style.

Shooting in Dubai Guidelines and Faqs

Shoot Music video, film, corporate video – The Right Way.

 

If you’re shooting in Dubai, the first thing to consider is filming permission. If you want to film in a public place you must have official permission from the Dubai Film and Television Commission (DFTC).

 

Only companies registered in Dubai Media City (DMC) or Dubai Studio City DSC) can apply for permission from the DFTC. If yours is not such a company, you have to engage a qualified company to do this. One issue with the permission is cost. If you’re shooting for a corporate video or a television show you are most likely not used to having to pay an application fee of US $220 (800 dirhams) plus an additional US $550 (2,000 dhs) per day of filming in a public place.

 

Plus whatever administration fee the company applying for the permission on your behalf might charge. A good way to reduce this cost is to do all your public location shooting on particular days so you limit the daily charge. The steps to getting filming permission are:

 

The steps to getting filming permission are:

 

 1. Find a company registered in Dubai Media or Studio City that will apply for the permission on your behalf. Most companies will not do this unless they have crew on the job. The reason for this is that if anything happens during the shoot that upsets the authorities, the company that secured the permission could risk having their trade license revoked.
 
2. The company making the application should send you a list of all information they will need. This includes passport scans for everyone coming to Dubai for the shoot and a no objection letter confirming you are happy for the company to apply for the permission on your behalf.
 
3. Once the company making the application submits the information and passport scans you provide along with the required application documents you have to wait until the DFTC completes the process. The DFTC will contact other government bodies such as the police and the municipality before granting filming permission. Waiting to hear back from these authorities can sometimes delay things. The company submitting the application should follow up daily after three working days.
 
4. Once approved, the DFTC will notify the applying company and let them know the permission, an A4 document you must carry with you when filming, is ready for collection. If an application is rejected, it is unlikely you will be told why. Generally applications are approved.

 

If you want to do a shoot in UAE, plan in advance - and if you want to shoot in public places, allow time to get filming permission - at least five working days. Remember you will need a Dubai Media City or Dubai Studio City company to secure the permission on your behalf and most of these companies will not apply for the permission unless they have someone on location when you shoot.

Shoot permission requirements for UAE?


1.Passport copies of all crew.(Clear color scans.)

2.Letter from you to us and we will add a letter from us to the authorites on letterhead with stamp.Here’s a template of your letter.

To who’m it may concern,…………… are working with film production company ­­­­­­­­­…….............................  with a media licence to film in the UAE on a TV commercial shoot for ……………We will be filming at the following locations in Dubai(or name the emirates) and would like to have permission to shoot from Date………………. to Date………………..

List of all locations  and list of all crew.

The script and storyboard is attached and we naturally promise to abide by the rules regulations and morals of the United Arab Emirates.We appreciate your kind corporation in this matter.

With regards.(Sign and stamp on letterhead).

3.Treatment and simple storyboard.