color grading software

Download Baselight 5.0 student version

Avid vs. FCP vs. Premiere for editing likewise Davinci resolve vs Baselight vs assimilate scratch for color grading. Its your choice. Filmlight recently updated Baselight and sent 90 days trial license to use student version of Baselight.

Train to be a professional Baselight colourist with support from FilmLight


Baselight STUDENT is a comprehensive version of FilmLight’s Baselight colour grading software—with GPU rendering—that runs on any supported Mac platform.

The principle limitation is that the application is restricted to render out only h.264* movies or JPEG images. With no watermarking, this means that Baselight STUDENT can be used to create academic-year projects within the limitation of the delivery formats. Along with conform capability, colour space handling, format editing and the ability to render both image sequences and movie files, this also makes the application the ideal tool to learn how to start your career as a professional colourist assistant.

As Baselight STUDENT is specifically intended to help people learn how to work with Baselight professionally, the licence is limited to a 90-day training period; however this can be reviewed if necessary when your licence expires.

Key features

The student application is built from exactly the same software source as the full Baselight system. That means that it will always be up-to-date with the latest release. 
For a full list of Baselight functionality, please see the datasheets in the Document Library on our web site. Some of the highlights of Baselight STUDENT include:

  • Support for control surfaces including Slate (but not Blackboard).

  • Optional AJA SDI monitoring.

  • 4:2:0 Y’CbCr cache allowing playback on lower-end machines.

  • Rendering capability for h.264* movies or JPEG image sequences.

    Join Baselight student program.

ADOBE AI COLOR GRADING AND IT MATTERS

ADOBE AI COLOR GRADING

Adobe has introduced a Color Match feature, powered by its artificial intelligence engine Adobe Sensei. Color Match is able to take the color and light values from a reference image and then apply them as editable color adjustments to the current shot, all while intelligently adjusting for skin tones. 

With Color Match, it takes just a few clicks and adjustments to match the colors of various video clips. For broadcast-quality content, the Video Limiter ensures color grading meets broadcast standards. 
 

ADOBE SENSEI

Adobe Sensei is the magic behind the world's best digital experiences. It powers intelligent features across all Adobe products to dramatically improve the design and delivery of digital experiences, using artificial intelligence and machine learning in a common framework. 

Fundamentally different EPICOLOR

Artificial intelligence (AI) may be perceived as the future for software, but not everyone realises how much AI can do for color grading right now.

Lets talk about fundamentally different EPICOLOR

Even the best cameras in the world only record the incoming light and "see" color-shifts in a scene that would be imperceptible to the naked eye if observed in person

Based on an algorithm called Xe8472® which simulates the human brain visual system, the so-called Color Constancy it automatically corrects professional video to make it look natural and realistic without tedious manual correction

This technology is a first of it's kind and is the result of 15 years of research and development

for more info please visit - www.epicolor.film

Davinci Display for external monitor without using extra hardware

Davinci DIsplay

DaVinci Display is a virtual display for DaVinci Resolve. The main purpose of the application is to mirror the preview and allow to place it anywhere in your desktop. It enables you to have a picture preview in the external monitor without using extra hardware like Decklink or Unltrastudio.

How much does it cost?
US$ 25.00

Click HERE to download free trial:
 

Davinci Resolve Free Tutorial - Goat Eye View

Best Davinci Resolve Tutorial

If you are aspiring editor or colorist and looking for great resource to learn Davinci Resolve Software then we highly recommend Goat Eye View - Davinci Resolve tutorials.

Goat's Eye View, London-based post-production for film and television has produced a series of Davinci Resolve color grading tutorials by Daria Fissoun.
For more info - www.goatseyeview.co.uk

 

3D LUT Creator - The most Innovative color grading software

3D LUT creator

3D LUT Creator is the latest program with unique tools for professional color grading of digital images and video and creating 3DLUT-files that can be imported into many programs such as Adobe Photoshop,  Adobe After Effects, Adobe Premiere Pro, DaVinci Resolve, FinalCut Pro.

Color correction in 3D LUT Creator is made by bending grid tied to the color plane containing the saturation and hue. The use of this interface allows a user in few clicks completely change the color scheme of the image or work with the desired color ranges separately.

3D LUT Creator - innovative color grading software

  • It can manipulate colors in a way that's not possible in davinci resolve or photoshop without selective and tedious masking and tracking.
  • Color manipulation is smooth. No odd edges or banding if you need drastic shift of colors.
  • Easy to use and understand interface.
  • Unlimited creative freedom.

Advantage for videographers and photographers to work with 3D LUT Creator?

For the images. The program lets you save color settings in files with the extension .3dl, .cube, .csv which are cross-platform format. You can apply this color correction as an adjustment layer in Adobe Photoshop, thus making your retouching workflow independent of color correction.

For the video3D Lut creator is able to work correctly with different type of log and raw video. (LogC, BMD Film, SLog, RED Log, Cineon, Cinestyle Log. It allows you convert your log from video camera to Rec 709 with precise adjustment to white balance and exposure. You just need to take one frame of the video, process it in the program, save the settings and apply a color profile for the entire video!

For more information please visit - 3D LUT CREATOR

DAVINCI RESOLVE 14 - THE NEW JACK OF POST-PRODUCTION

What's New!

DaVinci Resolve 14 has hundreds of new features for editors, colorists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. Colorists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip color and more! Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colorists, and sound editors to all work on the same project at the same time! All these new features make DaVinci Resolve 14 is the world’s most advanced post production software!

DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing! The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW.

DaVinci Resolve has been used on more feature films and television shows than any other grading system! You get the industry’s most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more.

DOWNLOAD PUBLIC BETA NOW FREE.

Download free Baselight STUDENT from filmlight

At NAB2017, FilmLight will preview their latest product, Baselight STUDENT, a software-only macOS application that answers the call from a growing number of facilities for trained Baselight colourists and assistants.

Baselight STUDENT is intended as the perfect learning tool, either for those wanting to train to become a professional colourist, to work on short personal projects, or for experienced practitioners moving up to Baselight from other grading solutions. While the new application is free, interested parties must register and be eligible to become a part of the Baselight Learning Programme to obtain a licence.

“We’ve had growing requests from freelance colourists and creative artists for this product,” explained FilmLight founder and CEO, Steve Chapman. “But we don’t just want to hand out a free piece of software and walk away. We want to work with training institutions and the creatives to make sure that they have the right resources and support to achieve their goals.”

Baselight STUDENT is a fully functional version of FilmLight’s Baselight colour grading software – with GPU rendering – that runs on any supported Mac platform. This includes support for an optional control surface, like FilmLight’s Slate panel, and even SDI monitoring for a full grading suite experience.

The principle limitation is that the application is restricted to render out only h.264 movies or JPEG images. With no watermarking, this means that Baselight STUDENT can be used to create academic-year projects within the limitation of the delivery formats. Along with conform capability, colour space handling, format editing and the ability to render both image sequences and movie files, this also makes the application the ideal tool to learn how to start a career as a professional colourist assistant.

FilmLight will initially talk to participants to assess their individual needs and then provide them with a free licence for the appropriate length of time, along with practice material they can use to get up to speed. FilmLight will also develop regular video tutorials and live best-practice webinars for members of the Baselight Learning Programme.

“We’ve reached pretty far with our team of in-house trainers but it just isn’t physically possible for everyone to access face-to-face training with FilmLight product specialists,” added Chapman. “With the growing popularity of the BLG metadata workflow, and the forthcoming release 5.0 across our product line, this grading software provides a unique opportunity for everyone to get a handle on Baselight’s advanced colour tools as used by top-notch artists everywhere.”

FilmLight will demonstrate Baselight STUDENT at NAB2017 on booth #SL3828 (24-27 April, Las Vegas Convention Center). Interested parties can register for updates at http://www.filmlight.ltd.uk/baselightstudent.

SGO MISTIKA 8.7 - HDR, VR & 8K

BEYOND COLOUR- SGO MISTIKA 8.7

The world’s most powerful, flexible and complete DI post-production solution. Mistika represents the cutting edge in DI finishing systems, offering the most modern, complete and flexible toolset available today for on-set, dailies, commercial, broadcast and feature film post-production environments.

SGO Mistika facility - THE LOOK - LONDON

SGO Mistika facility - THE LOOK - LONDON

Built on years of research, development and production experience, Mistika empowers facilities with new levels of creative power, performance and workflow efficiency, revolutionising what it means to deliver for a client. More than a simple grading system, Mistika is a complete online and finishing solution, sitting at the heart of the world’s most innovative facilities.

Hollywood movies graded in SGO MISTIKA

Hollywood movies graded in SGO MISTIKA

Mistika is a total post-production solution. With world class conform, online editing, VFX, colour-grading, stereoscopic 3D and delivery tools built in, Mistika stands as the creative foundation for any facility. All tools are instantly available, allowing creativity to be fully explored with speed and accuracy, guaranteeing the perfect end result for a client. And with the ability to jump seamlessly between tasks, Mistika removes the need to bounce media between functional areas within a post-facility; projects can be managed and completed within a single software package, without the need for time-consuming renders between production stages.

Mistika’s all-in-one platform blurs the divide between editorial, FX, colour and finishing, streamlining out-dated facility workflows and empowering operators with a new sense of artistic freedom.

To know more about Mistika Click HERE

Automatic Colorizing ALGORITHMIA

Result of using ALGORITHMIA to colorize black and white image.

Result of using ALGORITHMIA to colorize black and white image.

Yes. Its time for automatic colorizing black and white photos to color. 

Automatic Colorize by ALGORITHMIA

The research has long way to go before we see content aware colorize in photoshop, davinci or assimilate scratch, but proof of the concept is there exists. 

You can try automatic coloring your b/w images now. Click Here

BIG UPGRADE - DAVINCI RESOLVE 12.5.1

General Improvements

  • Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
  • When running DaVinci Resolve in window mode, the macOS dock is now visible
  • Improved latency for remote grading (Studio version)
  • Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
  • Improved behavior when creating render jobs on locations without write permissions
  • General performance and stability improvements

Edit Improvements

  • Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
  • Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
  • Added ability to import and export duration markers using EDL
  • Added the ability for clips to snap to their own markers when adjusting In and Out points
  • Improved consistency of edit functions when Timeline is in full-screen mode
  • Added support for box wipe mode for offline reference wipe
  • Added ability to extract AAF import log information as timeline markers

Color Improvements

  • Improved performance for Spatial Noise reduction in Better mode
  • Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
  • Added ability to apply grades from a reference wipe using the viewer context menu
  • Added ability to align keyframe timelines of color grades using playhead position and wiped still frame
  • Next node and previous node operations now loop around the node graph
  • The ‘displayed’ node graph now automatically updates when the current still is changed
  • Swapping nodes now also swaps the node labels
  • Rippling grades now also copies node labels, Power Window labels and node cache settings
  • Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
  • Added support for left eye and right eye grades for the timeline node graph (Studio version)
  • Added ability to convert a mono timeline into stereoscopic 3D (Studio version)
  • Added ability to convert a mono clip into stereoscopic 3D (Studio version)
  • Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
  • Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
  • Added support copying DolbyVision grades using stills and middle click (Studio version)
  • Improved 3D and Qualifier panel layout in dual screen mode
  • Improved behavior to stay in the same frame when joining two clips

Resolve FX Improvements

  • Added ResolveFX Generate Color (GPU accelerated)
  • Added ResolveFX Tilt-shift Blur
  • Added support for anamorphism in ResolveFX Lens Blur (Studio version)
  • GPU acceleration support for ResolveFX Lens Flare (Studio version)
  • Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
  • GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
  • Improved ResolveFX Scanlines and added various composite modes
  • Ability to view the ResolveFX Scanline layer without the background
  • Improved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
  • Added support for horizontal/vertical ratio in ResolveFX Glow
  • Added support for pan and tilt on ResolveFX Prism Blur
  • Improved performance for ResolveFX Light Rays
  • Improved performance for ResolveFX JPEG Damage

Media Improvements

  • Added new Import Media options to File menu and Media Pool context menu
  • Added support for stereoscopic 3D clips in Media Management (Studio version)
  • Added support for display drive names in Media Storage on Windows
  • Addressed issues with open file location from Media Pool on Linux
  • Added Source Name tag support for filename without extension
  • Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips

Codec & Format Improvements

  • Added support for ProRes decoding on Windows
  • Improved QuickTime decode and encode performance on Windows
  • Support for UHD H.264 renders on Windows
  • Improved QuickTime decoding and encoding performance on Linux
  • Added support for HEVC (H.265) decoding on Linux
  • Added support for alpha channel in DNxHR 444
  • Added support for the Sony X-OCN format
  • Added support for various AAC encode parameters on macOS
  • Added support for QuickTime AAC audio encoding on Windows
  • Added support for encoding QuickTime Photo JPEG files
  • Added support for decoding AVCHD files from the Sony NEX-FS700 camera
  • Added support for V-Gamut in RCM for improved Panasonic camera image handling
  • Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
  • Addressed decoding of last frame in some Panasonic AVCHD clips
  • Improved handling of AVCHD .MTS clips
  • Added support for RED SDK v6.2.1

DOWNLOAD FREE DAVINCI RESOLVE HERE.

Download Davinci Resolve 12.5 lite FREE

Davinci Resolve 12.5 FREE DOWNLOAD

LITE VERSION

Blackmagic Design's DaVinci Resolve is a high-end color correction suite replete with an elaborate control surface designed for professional colorists. It costs $30,000.
There's $1,000 software-only version that runs on Mac, Windows and Linux - Davinci Resolve Studio and Free  Davinci Resolve Lite version.

What you miss in Davinci Resolve Lite Version?

Collaborative Team Work
Database Server Option to share database with multiple Resolves.
Remote grading
Edit Sizing
Real time noise reduction
Extended HDR grading controls
Motion Effects palette with noise reduction and motion blur.
Added support for DaVinci Color Transform Language, .dctl
ResolveFX Film Grain - GPU accelerated, 
ResolveFX Lens Flare
ResolveFX Lens Blur
Real Time Timeline Power Mastering
UHD Limit

Color Grading in Davinci Resolve 12.5 - Dubai

Hollywood's most powerful color corrector!

DaVinci Resolve 12.5 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

What’s New in DaVinci Resolve 12.5

DaVinci Resolve 12.5 is a massive update with over 1,000 enhancements and 250 new features that give editors and colorists dozens of new editing and trimming tools, incredible new media management and organization functions, new retiming effects, enhanced keyframe controls, on-screen text editing, new ResolveFX plug-ins and much more! The re-designed node editor is easier and more intuitive to use, there are new HDR grading tools, vastly improved noise reduction, lens distortion correction, a completely redesigned Deliver page for outputting projects and a new Fusion Connect command for round tripping visual effects shots between DaVinci Resolve and Fusion!

The world’s most advanced color grading tools.

DaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!

Contact Us to visit our Color Grading Suite in Dubai, UAE.

 

PRELIGHT - Free on set color grading tool from Filmlight

FilmLight introduces Prelight, a freely licensed Mac OS X application designed to help DoPs and other professional creatives to author and review looks in pre-production and on-set.

Prelight’s simple-to-operate interface makes it a breeze to check how shots appear with looks or LUTs applied, and to import or add grading decisions that can be passed downstream. Images can be imported from almost any camera, and graded references exported in almost any format.

“What makes Prelight special is that it incorporates the full Truelight Colour Space technology you find in other FilmLight products,” said Peter Postma, Managing Director, FilmLight Americas. “So regardless of the camera, whether RAW or monitoring output, whether HDR or laptop screen, looks are applied consistently and grading decisions remain relevant even for final delivery.”

Prelight complements the FilmLight products FLIP and Daylight, which already provide full on-set and near-set grading capabilities. Many directors, working with a colourist early on or not, would just like more control over how the shot is going to look, and to be able to communicate that easily and visually to post-production.

The creative team can enhance the grade with simple but familiar tools, to create new reference stills as well as 3D LUTs or BLG (Baselight Linked Grade) files. With the render-free BLG workflow, the grades are non-destructive too: additional BLG metadata is created and attached to the stills. And the free licence for Baselight for Avid or NUKE, which makes it free to read and render BLG files, makes this workflow available to productions on any budget.

An extended licence can be purchased so that when these files arrive in the Baselight post house, or on a Daylight system for near-set dailies, the metadata is attached automatically and the BLG file becomes the basis of the grade, which can then be refined right up to the moment the deliverables are created. The additional licence also includes enhanced logging and monitoring capabilities.

As well as fitting in naturally with the BLG workflow, Prelight can fit into any post-production workflow because of the ability to export standard ASC CDL lists and third-party formatted 3D LUTs.

Integration with cameras, such as the ARRI Alexa SXT, means that Prelight can simplify the colour workflow dramatically by enabling fully automated metadata support all the way from the start of the production chain. Prelight can also interface to the majority of professional LUT boxes or monitors for real-time viewing.

“The production and post-production community is looking for ways to customise their workflows to guarantee the best scope for creativity,” Postma added. “Prelight is another exciting option to give simple but direct and reliable control. We are happy to offer the core features of Prelight, including the full grading and LUT toolkit, free, with very low cost options for connectivity and advanced metadata export.”

Scratch VR - with Scratch pad

Gesture-based grading panel of Assimilate

In addition to the already known support for all relevant panels Assimiliate is now bringing out a separate panel. Instead only illuminated buttons, the first version of the scratchpad (tentative name) will be provided with holographic buttons that könnnen show a continuation of the LED button 3D graphics. So Grading of Stereo3D content is more intuitive.

Encoders are recognized by Mocap-Camera, and so to a not depreciable (no moving parts), on the other hand for hand size, attitude and My personal and cultural preferences individually customized. There is the price any information, a first model will be on display at NAB.

Kinect compositing

The compositing features from scratch now work with the Microsoft Kinect together - so can be placed in the room via gesture control each element, and my posture arerelighting and DOF adjusted. S. Urkel, Head of Development, continued: "One problem with the Colorists is that the attitude of the panel can be harmful in the long term - that's why we are of assimilates with the new Kinect interface the only software provider for fit, movable Grader!"

Instagrading

Since many Grader anyway only use three different looks, features Assimilate now From web photo sharing app known "Instagram filter" to which the kit allows in cooperation with the LUTs a potty Grading - and so also error by the appointed makes interns impossible.

Support for LDR

Unique in Coloristenwelt is the support for LDR grading which, in view of current developments in the broadcasting sector "practically transmission standard was" so Urkle.The saving useless dynamic stages saves link bandwidth and prevents compression artifacts, particularly in H264 and WebM videos. A low-dynamic-range Legalizer, automated LUTs and practical converter nodes are available in the screen that appears to NAB version each user.

2-bit Mode

In order to leverage particular the contrast range of the monitors in the grading suite, Scratch is also an alternative interface with a matching codec available - in the 2: 0: 0 color space can be reduced all the videos on the essentials.

Chrome & consorts

"With the election of ChromeOS we ensure that the users of tomorrow can take full advantage of the power of Scratch. By connecting to mobile operating systems we open the door to new forms of creative work! "Says Product Manager S. Urkel. Furthermore, the new features are adapted to the needs of users - in order to create space for creative ideas in modern pipelines.

At NAB should at Assimilate booth Grading-enabled Chromebooks be seen with Scratch, and demo models further scratch ports. eS, BSD, Be / OS and Plan9 to the users are in the course of the second quarter are available, with the aim to develop the full force even in network environments - the link between the systems provides Scratch Web forth.Assimilate told that this choice of operating system found long-term market research - the systems with the best chance to still be relevant in 15 years.

Scratch VR

There was a whole bunch of new VR headsets to the updated Gear- and Oculus Rift versions to newly published Google Cardboard Plastic , thus already assisted in its development Assimilate was involved early on and the device to release.

Scratch Full - On Mobile

Another supported operating system for the full version of Scratch is Android (from version 6.1). According Assimilate as graders and finishers are on the move have access to all features, so far a hardware calibratable phone (list of available models) possess.

Scratch OS

Scratch 8 - Colour Grading Studio in Dubai



The Suite is equipped with latest Assimilate Scratch 8.4 version of world's best DI software enabling filmmakers to craft the art of color grading beyond imagination.

Pixel house Color Grading suite offers :

  • ACES LOG - Grading option
  • Real time VR post production 
  • Stereo 3D Color Grading Studio
  • Real time 6k Color Grading Workflow
  • Digital Cinema Mastering - DCP
  • Davinci Resolve Grading Suite
Colorist - Sudip Shrestha has joined Pixel House as a senior colorist. He has graded more than 50 feature length movies , 200 tvcs in Assimilate Scratch. 

Please visit www.pixelhouse.ae

Colour correction - Top websites

Color correction is the process where you make adjustments to the color and contrast of footage in your video. It involves tweaking every clip in your footage to provide a good level of exposure, not to mention matching color temperatures between different shots.

Top websites to learn color correction:

  1. http://www.colorgradingcentral.com/
  2. http://www.lynda.com/Color-Correction-training-tutorials
  3. http://www.learncolorgrading.com/

 

Davinci Resolve 12 - Beta Released

The latest version of Blackmagic's  Davinci Resolve 12, has arrived.

Davinci Resolve 12 - Beta version - Color Interface

Davinci Resolve 12 - Beta version - Color Interface

It has become so much more over the last few years, and in version 12, it's now a full-fledged non-linear editor. The free version is known as DaVinci Resolve 12 and paid version DaVinci Resolve 12 Studio.

They are essentially still the same products, and the free version still has the same limitations. With the nearly $1,000 Resolve 12 Studio (which is a free upgrade for previous owners of Resolve), you'll get support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, 3D tools, and remote and multi user collaboration tools. 

Whats New?

  • Enhanced 3D Tracker 
  • Brand New 3D Keyer for Color Correction and Compositing
  • Slick New Interface that's Cleaner, Easier on the Eyes
  • Multicam Editing with a Host of Sync Options
  • Improved Trimming including Advanced Simultaneous Multi-Track Trimming
  • Nesting Timelines for Working on Large Projects with Multiple Complex Timelines
  • On-Screen Controls for Manipulating and Animating Motion paths of Graphics
  • Highly Customizable Transitions Using Curves Editor with Bezier Handles
  • Real Time Audio Mixing by Recording Fader Moves
  • VST and Audio Unit Plugins for Full Control of Audio
  • Export to Avid Pro Tools for Professional Audio Mix
  • Improved Media Management and Bins
  • Download Davinci Resolve 12 - free version.